Douglas Slocombe: Master Cinematographer
England’s master cinematographer of the sixties, his black and white lensing on Bryan Forbes’ “The L-Shaped Room” and Joseph Losey’s “The Servant” marks one of the high points of British cinema.
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Author: Patrick Browne
Nicholas Musuraca: Master of Chiaroscuro
Nicholas Musuraca was a master of chiaroscuro. “The Spiral Staircase” was influenced the German Expressionist Cinema of the early 1920s. He photographed William Holden in Rouben Mamoulian’s adaptation of Clifford Odets “Golden Boy” with Barbara Stanwyck and Adolphe Menjou (above). It was Holden’s first starring role.
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Eleanor and Frank Perry
Eleanor and Frank Perry’s last movie together was their best, a wonderful adaptation of Sue Kaufman’s “Diary of a Mad Housewife”.
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Fassbinder Revisited: A Cinematic Journey
“Fassbinder Revisited: A Cinematic Journey” reveals three masterworks of cinema: The Bitter Tears of Petra von Kant, Ali: Fear Eats the Soul, and Veronika Voss. And two for television: The Stationmaster’s Wife (also known as Bolweiser) and the 14-episode Berlin Alexanderplatz.
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La Nouvelle Vague (The French New Wave)
Included are my favorite thirteen films. Four are directed by Godard, three by Truffaut, two by Renais, and one each by Chabrol, Demy, Malle, and Varda.
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