With its labyrinthine structure, discursive storyline, and exploration of themes such as duality, reality, identity, and the nature of time, the movie is reminiscent of the great Argentinian writer Jorge Luis Borges
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Directors Martin Scorsese, Christopher Nolan, and Todd Haynes triumphed at the 89th NYFCC Awards with Scorsese’s “Killers of the Flower Moon winning both Best Picture and Best Actress (Lilly Gladstone).
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Zahra Amir Ebrahimi is fine as the title character but her role does not have much depth. The same applies, but even more so, to the supporting cast.
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The leads are just about perfect, and the film is enlivened at every turn by the director’s usual penchant for deadpan humor.
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An epic disaster of Waterloo proportions. The movie has no style and makes no sense. If you are looking for a history lesson, go elsewhere.
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