“Fassbinder Revisited: A Cinematic Journey” reveals three masterworks of cinema: The Bitter Tears of Petra von Kant, Ali: Fear Eats the Soul, and Veronika Voss. And two for television: The Stationmaster’s Wife (also known as Bolweiser) and the 14-episode Berlin Alexanderplatz.
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Caronna gives these five men back their dignity, something they were stripped of when they became victims of a horrific crime.
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After its release, the film’s high campness – a tragic story set in the faded milieu of New York high society – developed a significant gay following.
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The result: compulsive viewing for seven out of the eight episodes. Colin Firth is spellbinding. Toni Collette is equally superb.
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The action then unfolds in flashback…. Olivia and Paula instantly become the series’ Greek Chorus; the best-friend-duo from hell.
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Blanchett then slowly hangs up the phone and returns, defeated, to the kitchen. In un hommage à Akerman, the camera frames her in medium shot.
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Created by Lee Sung Jin, the series boasts a wonderful script and spectacular turns by Steven Yeun and Ali Wong as the central characters.
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Evan Peters, Josh Braaten (young Jeffrey), Niecy Nash as nest-door-neighbor Glenda and a magnificent Richard Jenkins as Dahmer’s Father, all give stellar performances.
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“Fellow Travelers” is “The Way We Were,” with Jewish being replaced by Queer, Redford by Bomer and Barbra by Bailey. It’s compulsively watchable, just not a classic.
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Nicholas Galitzine, as Prince Harry, gives a perfect performance. Utterly believable. He’s the ONLY reason to see this. But he is reason enough!
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