Sinners breaks the All About Eve – Titanic – La La Land 14 nomination record to land an astonishing 16 nominations helped by the addition of a new CASTING category this year – but it would have made history even without it!
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“85 Queer Films Made Under the Hays Code (1934 to 1968):” From “The Bride of Frankenstein” to “All About Eve” to “Reflections in a Golden Eye”
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The death of the Hays Code and the rise of the New Hollywood saw an explosion of Queer Cinema from Portrait of Jason Jason to Taxi zum Klo.
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My 101 favorite horror movies rated. They cover the gamut from slasher to psychological to supernatural to existential to body horror to gothic and Grand Guignol melodrama. And horror-comedy of the Peter Jackson-Edgar Wright variety.
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From Korngold and Steiner to Herrmann to Greenwood, Levi, and Britell, here are my 90 all-time favorite original movie scores.
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Hal Mohr** is the only person to have won a competitive Academy Award without being nominated for it. Mohr was allowed to keep his Oscar and won a second.
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Irving Berlin tops the list with twenty-one songs, followed by Harry Warren with twenty and Harold Arlen and Jimmy Van Heusen with eighteen apiece.
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“Fassbinder Revisited: A Cinematic Journey” reveals three masterworks of cinema: The Bitter Tears of Petra von Kant, Ali: Fear Eats the Soul, and Veronika Voss. And two for television: The Stationmaster’s Wife (also known as Bolweiser) and the 14-episode Berlin Alexanderplatz.
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Seven films in which every shot, every camera move, every editing sequence is perfect. Four of the seven movies star either Cary Grant or Jimmy Stewart.
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Eleanor and Frank Perry’s last movie together was their best, a wonderful adaptation of Sue Kaufman’s “Diary of a Mad Housewife”.
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They were the darlings of the art house circuit. Their work in a language other than English is some of the greatest ever captured on film. But Hollywood…
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Joni dazzles in the best of her three live albums. It helps that the show is built around “Hejira”. Of the 19 tracks, 4 are from this album.
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Rated: the Dan’s seven classic albums released between 1972 and 1980. Rated: Donald’s “The Nightfly” as continuum with “Aja” and “Gaucho”.
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England’s master cinematographer of the sixties, his black and white lensing on Bryan Forbes’ “The L-Shaped Room” and Joseph Losey’s “The Servant” marks one of the high points of British cinema.
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Jesse Plemons is almost unrecognizable. The man sharing the screen with Emma Stone in Bugonia bears little resemblance to the one who stood opposite Elizabeth Olsen in Love and Death just a couple of years ago. The transformation is so dramatic that the reflexive assumption is obvious: Ozempic — or one of its many GLP‑1 cousins — must be involved.
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