Caged (1950) Queer Film C-
“Hype the New Fish”. Innocent Eleanor Parker spends time in a women’s prison. With Hope Emerson and Agnes Moorehead.
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Category: C-
Walk on the Wild Side (1962) Queer Film. C-
Stanwyck and Capucine have a few good scenes together. However, Harvey is wan, and Fonda does not have enough to do. The movie is no fun.
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The Boston Strangler (1968) Queer Film C-
Although The Boston Strangler belongs to that liminal grey area of queer cinema, it is, nevertheless, unmistakably saturated with the gay slurs, stereotypes, and panic that Hollywood deployed whenever police procedurals dipped into the “demimonde.” In fact, Edward Anhalt’s screenplay—astonishingly, from the Oscar‑winning writer of Becket—is so casually homophobic it becomes a kind of time capsule of contempt.
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The Damned (1969) Queer Film C-
Luchino Viconti’s “The Damned” centers on the Essenbecks (read Krupp family) on the night of the Reichstag fire in early 1933.
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The Gay Deceivers (1969) Queer Film C-
Directed by race-car driver, TV director, adventurer and Howard Hawks protegee Bruce Kessler, the film sits squarely in the late-1960s draft-dodger queer farce, and his involvement appears to have been technical and opportunistic rather than personal. This was producer Joe Solomon’s baby in keeping with his other entries in the exploitation genre such as A Small Town in Texas (1976). The surprise, however, is that the gay couple is treated with a modicum of respect.
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Something for Everyone (1970) Queer Film C-
Unfortunately, what should have been a gay romp and a fabulous showcase for its star, gay icon Angela Lansbury, falls flat after a promising opening chapter.
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Myra Breckinridge (1970) Queer Film C-
A failed adaptation of Gore Vidal’s novel, directed, by Michael Sarne, the film takes Vidal’s gender‑bending satire and, for the most part, mangles it, although the book was hardly a sacred text to begin with. With an unfortunate Mae West in a cameo as talent scout Leticia Van Allen, and a pre-fame Farah Fawcett making her movie debut. In the end, although Myra does not scandalize or destroy the patriarchy, she exposes and ridicules it, and Welch’s glamorous, tongue-in-cheek comedic performance is always fully committed to the original novel’s satire.
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Save the Tiger (1973) Queer Film C-
The writer Steve Shagen, an educated Jew, is in the Stone Age when it comes to a human being who has a different sexual preference than himself.
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A Touch of Class (1973) Queer Film C-
Jackson’s character works in the garment industry, so we are on fairy alert. And, wouldn’t you know it, one of them does descend on her office just as Segal is visiting.
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Ode to Billy Joe (1976) Queer Film C-
Why did Billy Joe McAllister jump off the Tallahassee Bridge? The mystery behind Bobbie Gentry’s haunting song should have remained a mystery. That was its allure. That was its magic. Unfortunately, in the summer of 1976, whether we liked it or not, screenwriter Herman Raucher (“Summer of ’42”) and actor-turned-director Max Baer (formerly Jethro in “The Beverly Hillbillies”) solved the mystery! The reason we are told is: BECAUSE HE SLEPT WITH A MAN.
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Midnight Express (1978) Queer Film. Movie Fiction. C-
The movie “Midnight Express” is primarily based on fact, but the finished product is mostly a work of fiction. Bad fiction.
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