Auntie Mame (1958) Film Review C+
Gay director Morton DaCosta directs like he is still in the theatre – he did better in his second and final visit to Hollywood with “The Music Man”.
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Category: Genres (Action – Music Scene)
A Touch of Evil (1958) Film Review A
Yes, that is Mercedes McCambridge as the unnamed lesbian gang leader getting her kicks while watching Janet Leigh getting roughed up in Welles’ other masterwork.
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Vertigo (1958) Film Review A+
Anchored by an incredible performance by James Stewart as Scotty Ferguson a private detective and ex-cop who suffers from vertigo (fear of heights) after a coworker fell to his death, and Kim Novak is spectacular in the dual role of Judy/Madeleine.
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Funny Face (1957) Film Review A+
“Funny Face“, the 1957 musical romantic comedy directed by Stanley Donen, boasts Audrey Hepburn’s most charming screen performance.
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Bonjour Tristesse (1957) The French Critics Adored Jean Seberg B+
Unlike their American counterparts, the French critics, among whom were the brightest stars of the New Wave, in particular Truffaut and Goddard, were full of praise for the film.
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Tea and Sympathy (1956) Film Review. A-
The film has improved with age. What could not be said under the Hayes code (according to Deborah, the words homosexual, gay, or queer were never mentioned during the entire production – not even, or especially, by gay director Vincente Minnelli) gives it a beauty and delicacy, especially in Deborah’s sublime performance.
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The Bad Seed (1956) Film Review B+
Nancy Kelly is ON 100% of the time straddling the twin minefields of camp and drama yet managing to accomplish both simultaneously.
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Written on the Wind (1956) Film Review B+
The film’s central tenet is that Kyle (Oscar Nominee Robert Stack) and his ruthless sister Marylee (Oscar winner Dorothy Malone) lust after the same man.
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The Big Combo (1955) Film Review B-
The gay couple’s (played by Earl Holliman and Lee Van Cleef) chosen profession also adds to their fascination and their sexiness.
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Rebel Without a Cause (1955) Film Review A
Wood, Dean and Mineo form a nuclear family under the shadow of Griffith Park Observatory. Sal Mineo’s Plato is Hollywood’s first adolescent gay character.
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Johnny Guitar (1954) Film Review B
A Western with two female leads is that rarest of cinematic jewels and, under Nicholas Ray’s direction, both Crawford and McCambridge play to the gallery.
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Rear Window (1954) Film Review A+
Stewart, Kelly, and Ritter are all magnificent. Kelly, looking radiant, gets to deliver one of the big screen’s all-time sexy lines.
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Calamity Jane (1953) Film Review B+
The Best Queer Song in the History of Cinema: Day’s spectacular delivery of the Sammy Fain-Paul Francis Webster masterpiece “Secret Love.”
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Niagara (1953) Film Review A-
The buildup to Monroe’s superstardom started here. The magnificent widescreen technicolor cinematography if by Joseph MacDonald.
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Gentlemen Prefer Blondes (1953) Film Review B+
It’s Howard Hawks again, this time adapting the Jule Stein/Leo Robin Broadway smash “Gentlemen Prefer Blondes”. With Jane Russell and Marilyn Monroe.
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Strangers on a Train (1951) Film Review A-
Hitchcock reverses himself here, having gay actor Farley Granger play the straight character and straight actor Robert Walker play the gay character.
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A Streetcar Named Desire (1951) Film Review A+
The best play to film adaptation of all-time with two of the greatest performances: Vivien Leigh as Blanch DuBois and Marlon Brando as Stanley Kowalski.
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Young Man with a Horn (1950) Film Review B
Lauren Bacall is Kirk Douglas’ young man with a horn’s society wife who is also a closeted lesbian. Bacall is very good in a risque role.
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Caged (1950) Film Review C-
“Hype the New Fish”. Innocent Eleanor Parker spends time in a women’s prison. With Hope Emerson and Agnes Moorehead.
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All About Eve (1950) Film Review A+
Bette Davis in her greatest role with some of the best lines ever written. Both Addison and Eve are gay and he blackmails her.
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Adam’s Rib (1949) Film Review A
Marvelous acting by Judy Holliday, Jean Hagen, Hope Emerson, Tom Ewell and, as Amanda’s “gay best friend”, David Wayne.
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Kind Hearts and Coronets (1949) Film Review A+
In “Kind Hearts and Coronets”: Alec Guinness has fun playing all eight (or nine) of the unfortunate D’Ascoynes, including Lady Agatha D’Ascoyne. The photograph shows Dennis Price with Joan Greenwood who plays that little minx Sibella.
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Rope (1948) Film Review A-
The story, which is based on the Leopold and Loeb case is irresistible. Granger and Dall are perfection and Jimmy Stewart is also amazing.
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Red River (1948) Film Review A-
1948 was the year of Montgomery Clift. In addition to Hawkes “Red River” there was Fred Zinnemann’s “The Search” and William Wyler’s “The Heiress”.
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Brute Force (1947) Film Review B+
He is interested in art and music. He is a raving homosexual and a very nasty one at that! Hume Cronyn, a consummate actor, plays him to the hilt.
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Notorious (1946) Film Review A+
The term “MacGuffin” originated by Angus MacPhail for film, adopted by Alfred Hitchcock, and later extended to a similar device in other fiction. The MacGuffin here is the Uranium in the cellar.
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Gilda (1946) Film Review A-
Feast your eyes on Vidor’s stylish direction, Rudolph Mate’s cinematography, Jean Louis’ gowns, and Jack Cole’s choreography for Rita as Gilda.
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The Picture of Dorian Gray (1945) Film Review A
Albert Lewin directed his masterpiece, a superb adaptation of Oscar Wild’s “The Picture of Dorian Gray” with a beautiful Hurd Hatfield.
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Mildred Pierce (1945) Film Review A+
Brilliantly filmed in high Germanic style by a wondrously talented bunch of ex-pat Viennese uber talents: Curtiz, Anton Grot and Max Steiner.
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The Uninvited (1944) Film Review B-
The movie from 1944, with four lesbian characters, still entertains. Victor Young’s haunting theme was made into a song “Stella by Starlight.”
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