DIRECTOR: George Cukor

BOTTOM LINE:

Screenwriters Ruth Gordon and her husband Garson Kanin populated their Tracy/Hepburn (Adam/Amanda), court-case comedy, with a bunch of great supporting characters played by the likes of Judy Holliday, Jean Hagen, Hope Emerson, Tom Ewell, and, as Amanda’s “gay best friend”, David Wayne’s Kip Lurie.

Kip is their next-door neighbor and a Broadway composer. Clearly gay with his closely cropped hair (so fashionable today!) and flamboyant behavior he is the constant butt of Adam’s putdowns such that it wouldn’t be hard to turn Kip into a woman since he is halfway there already. Kip, nevertheless, pursues Amanda with dogged determination, to the point of composing a song especially for and about her entitled “Farewell Amanda” (composed by Cole Porter).

Thanks to Wayne’s inspired performance, Kip is one of Hollywood’s most memorable gay characters from the Hays code era.

POST TITLE: 55 Queer Films Made Under the Hays Code (1934-1967) (Part 1) – TheBrownees

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SUBCATEGORY: Queer Film

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