Beyond Utopia (2023) is one of the Best Documentaries of Recent Years A+
Director/Editor Madeleine Gavin masterfully combines these two storylines with some astonishing insights into what it’s like to live in North Korea
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Category: Masterpieces
Last Call (2023): A Serial Killer Preys on Gay Men in New York A+
Caronna gives these five men back their dignity, something they were stripped of when they became victims of a horrific crime.
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Mstyslav Chernov’s 20 Days in Mariupol (2023): Citizens Under Fire A+
Mstyslav Chernov’s masterful documentary chronicles the period he spent in the Ukrainian city of Mariupol when Vladimir Putin’s Russian forces attacked it.
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All of Us Strangers: The Best Movie Of 2023 A+
The direction of Haigh in this film is exceptional, creating an enthralling atmosphere that visually amazes the audience.
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Fallen Leaves (2023) Is An Affair to Remember A+
The leads are just about perfect, and the film is enlivened at every turn by the director’s usual penchant for deadpan humor.
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Godland (2023) Hlynur Pálmason’s Masterpiece A+
Pálmason, his cinematographer (Maria von Hausswolff), and his composer (Alex Zhang Hungtai), bring back colonial memories of such movies as “Black Robe”.
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The Banshees of Inisherin (2022) Film Review A+
Condon is breathtakingly good, capturing every scene she’s in with a mixture of common sense and sadness, but always with a drollness lurking in the background.
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Mia Goth Astonishes in X (2022) and Pearl (2022) A+
“X/Pearl,” parts 1 and 2 of writer/director Ti West’s horror trilogy, are anointed by Mia Goth’s performance. Part 3, “Maxxxine”, arrives in 2024.
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Nitram (2022) Film Review A+
As for Judy Davis she gives what is probably her most outstanding performance, which means it’s one of the greatest performances ever captured on film.
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Flee (2021) Film Review A+
I left “Flee” with that “floating-on-air feeling” that you get after seeing something special. After seeing a masterpiece.
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The Hand of God (2021) Film Review A+
Memories of Fellini and the Taviani Brothers at their peak. It’s his “Amarcord” (I remember). It’s also his “La Dolce Vita.”
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West Side Story (2021) Film Review A+
West Side Story is Spielberg’s Triumph! Of course, it is Anita who is the real star of the movie and Ariana DeBose is astonishing.
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Quo Vadis Aida (2020) Film Review A+
Aida knows the horrific fate that awaits her husband and two sons if they are found and, for two hours, you watch as she frantically tries to get them out.
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Beanpole (2019) Film Review A+
“Beanpole” conveys, beautifully, the ability of human beings to find moments of intimacy and even love under the most horrific of circumstances.
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Under The Skin (2014) Film Review A+
Guys with erect penises walking downward into a transparent ooze, confused, as Scarlett walks on another level above them.
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Take Shelter (2011) Film Review A+
It boasts a tremendous performance by Michael Shannon as a quiet man, raising a family, who has horrific nightmares and daytime visions of a meteorological disturbance followed by a feeling that we (the Earth) are being visited by something alien.
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The Talented Mr. Ripley (1999) Film Review A+
“Ripley”, Minghella’s masterpiece, boasts Matt Damon’s best performance plus stunning turns by Philip Seymour Hoffman and Jude Law.
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Carrie (1976) Film Review A+
Brian De Palma’s masterpiece and one of the GREAT HORROR MOVIES with tremendous performances from Sissy Spacek and Piper Laurie. The unforgettable score is by Pino Donaggio.
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Dog Day Afternoon (1975) Film Review A+
Pacino is magnificent. With Michael Corleone in The Godfather movies, “Dog Day Afternoon” is his defining role.
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Jeanne Dielman (1975) Film Review A+
In “Jeanne Dielman”, a feminist masterpiece, the everyday details of a caring mother contrast with her life as a prostitute.
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Picnic at Hanging Rock (1975) Film Review A+
Weir, who showed, like Hitchcock, that horror can be visited upon us on the brightest and most beautiful of summer days.
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Chinatown (1974) Polanski’s Noir Masterpiece A+
Polanski captured the FEEL of LA better than anyone before or sense. Jack Nicholson gives his greatest performance as private dick J. J. ” Jake” Gittes.
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The Bitter Tears of Petra von Kant (1972) A+ Rated: Seventeen Fassbinder Films
A landmark in both New Queer Cinema and the New German Cinema, Fassbinder’s examination of the dynamics of a lesbian love triangle was shot in der wunderkind’s apartment.
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Cabaret (1972) Film Review A+
Based on the 1966 Broadway musical “Cabaret” by Kander and Ebb which was adapted from Christopher Isherwood’s The Berlin Stories” (1945).
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The Conformist (1970) Nando, Vittorio and Bernardo’s Masterpiece A+
Using Art Deco as a backdrop to the film’s narrative, the partnership of Bertolucci, Storaro and Scarfiotti changed the look of Cinema forever.
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Diary of a Mad Housewife (1970) Film Review A+
Starring a luminous Carrie Snodgress, the last movie that director Frank Perry and his screenwriter wife Eleanor made together is their best.
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Reflections in a Golden Eye (1967) Film Review A+
John Huston’s favorite of all his movies. Brando does something amazing with his closeted gay character who is married to Elizabeth Taylor.
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Persona (1966) Film Review A+
Two of the world’s greatest actresses under the gaze of one of the greatest movie directors the world has ever known.
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The Best Man (1964) Film Review A+
“The Best Man” boasts three outstanding performances: Henry Fonda, Cliff Robertson and pre-code star Lee Tracy who returns to the screen.
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Seven Days in May (1964) Film Review A+
A peak entry in the American political thriller genre, the film boasts four of the greatest performances of the sixties.
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