Fame (1980) Queer Film B-
Actor Paul McCrane’s token gay character, Montgomery, stood out as an honest and moving portrayal of a shy, talented young man.
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Category: YouTube
American Gigolo (1980) Queer Film (A)
Watching American Gigolo, you knew that Courtesy of Giorgio and Nando, two gay Italian men, glamor and fashion had returned to the world, not just Hollywood but the entire world.
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Times Square (1980) Queer Film (B)
Sweet coming-of-age lesbian movie. Director Allan Moyle’s Times Square is a gritty, punk‑infused coming‑of‑age drama set in pre‑Disneyfied Manhattan, where the city’s chaos becomes a refuge for two teenage girls who don’t fit anywhere else.
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Dressed to Kill (1980) Queer Film A-
Thanks to Ralph D. Bode’s cinematography and Pino Donaggio’s haunting score, it is both a visual and an aural feast.
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Nijinsky (1980) Queer Film C-
“Nijinsky” asks the question: Why does a great artist go crazy? Ross and Wheeler, however, take a reductive approach and blame the woman.
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Taxi zum Klo (1980) Queer Film A-
Groundbreaking semi-autobiographical German film that candidly explores the dual life of a gay man in West Berlin at the dawn of the 1980s.
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Beyond Utopia (2023) is one of the Best Documentaries of Recent Years A+
Director/Editor Madeleine Gavin masterfully combines these two storylines with some astonishing insights into what it’s like to live in North Korea
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Squaring the Circle (The Story of Hipgnosis) (2023) (A)
Photographer/filmmaker Anton Corbijn has directed a hugely enjoyable documentary about Hipgnosis, the duo who revolutionized the album cover as an art form.
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What She Said: The Art of Pauline Kael (2018) B-
The greatest movie critic of her generation. Pauline wrote the most incisive and respectful response. It was a gorgeous review of “Blade Runner”…
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The Staircase (2022) Queer TV A+
The result: compulsive viewing for seven out of the eight episodes. Colin Firth is spellbinding. Toni Collette is equally superb.
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Mrs. America (2020) and the renaissance of Jeanne Dielman. Queer TV. A+
Blanchett then slowly hangs up the phone and returns, defeated, to the kitchen. In un hommage à Akerman, the camera frames her in medium shot.
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