The Eiger Sanction (1975) Cinema’s First Queer Canine (F)
When we first meet FAGGOT, he is pleasuring himself on Eastwood’s shoe. Who was the dog who played him? Was it nature or nurture?
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Chinatown (1974) Polanski’s Noir Masterpiece A+
Polanski captured the FEEL of LA better than anyone before or sense. Jack Nicholson gives his greatest performance as private dick J. J. ” Jake” Gittes.
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Once is Not Enough (1975) Queer Film (D)
An impressive performance by Brenda Vaccaro as a high-powered magazine editor – she received an Oscar nomination. Ironically, because the movie has a tiny modicum of taste, it has never developed the Midnight cult following that made the infinitely more dreadful Valley of the Dolls immortal.
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The Rocky Horror Picture Show (1975) Queer Film (B) High Camp at a Midnight Screening.
It is, of course, a GROUP EXPERIENCE with those inspired zingers going back to the screen, composed by a generation of audience members over the years.
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Barry Lyndon (1975) Queer Film (A)
In “Barry Lyndon” there is a moment where Ryan O’Neal finds two soldiers naked and holding hands in a pond as they confess their love for one another.
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In Celebration (1975) Queer Film C+
“In Celebration” is another filmed stage play that makes no attempts to hide its origin. However, the performers are so engaging that you stay with them. All of the actors have their moments, with Alan Bates making the most significant impression.
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Farewell My Lovely (1975) Queer Film A-
One of those rare instances where the remake is marginally better than the original, Farewell My Lovely not only keeps the original title of Raymond Chandler’s novel but is also more faithful to the book’s spirit.
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Dog Day Afternoon (1975) Queer Film. Lumet’s Masterpiece. A+
Pacino is magnificent. With Michael Corleone in The Godfather movies, “Dog Day Afternoon” is his defining role.
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Grey Gardens (1975) Queer TV. Documentary Feature A+
After its release, the film’s high campness – a tragic story set in the faded milieu of New York high society – developed a significant gay following.
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The Naked Civil Servant (1975) Queer Film (A)
His life becomes a kind of performance art and Hurt is phenomenal. One of the great queer performances as one of the great Queers.
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Jeanne Dielman (1975) Queer Film A+
In “Jeanne Dielman”, a feminist masterpiece, the everyday details of a caring mother contrast with her life as a prostitute.
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Picnic at Hanging Rock (1975) Queer Film A+
Weir, who showed, like Hitchcock, that horror can be visited upon us on the brightest and most beautiful of summer days.
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Drum (1976) Queer Film (F)
John Colicos’ DeMarigny is a loathsome excuse for a human being who harbors queer desires.
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The Ritz (1976) Queer Film C+
Part mob comedy and part drag review, this exhausting adaptation of Terence McNally’s hit play wears out its welcome in the first thirty minutes
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Norman… Is That You? (1976) Queer Film (C)
What we do have, however, is Redd Foxx as the dad and thank God for that! The result is a laugh every other minute. Foxx does not have to work for it, he’s a natural and he basically saves the movie.
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Car Wash (1976) Queer Film C+
You come to “Car Wash” for Antonio Vargas’ Lindy, who delivers razor-sharp shade to his homophobic coworker Duane (Bill Duke). You stay because a day at the Dee-Luxe Car Wash in Los Angeles is, despite the slurs, occasionally fun.
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Next Stop Greenwich Village (1976) Queer Film A-
Lenny Baker delivers a marvelous, lived‑in performance, radiating zest for life. Tragically, Baker’s career was cut short; he died of thyroid cancer at just 37 in 1982, never appearing in another film.
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Carrie (1976) Queer Film A+
Brian De Palma’s masterpiece and one of the GREAT HORROR MOVIES with tremendous performances from Sissy Spacek and Piper Laurie. The unforgettable score is by Pino Donaggio.
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Looking for Mr. Goodbar (1977) Queer Film Focus (F)
After two hours of heterosexual escapades—casual hookups, fleeting romances, and Theresa’s own search for identity—the story reserves its harshest judgment not for the straight milieu it has been dissecting, but for queer desire.
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Valentino (1977) Queer Film (F)
Russell’s worst film, it cannot even be enjoyed as camp. The audience either walked out or slept their way through the movie.
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The Choirboys (1977) Queer Film (F)
Blaney (Michael MacKezie Willis) is a young gay man who is cruising MacArthur Park in LA. The cops are there as well. When Blaney opens the police van’s door, he mistakenly thinks that Officer Lyles (Don Stroud) is waiting for him. Lyles, a Vietnam veteran, is in the middle of a PTSD flashback and shoots him in the face. The death of “the fag” gets a big cheer and a big laugh from the audience.
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Suspiria (1977) Queer Film (A)
Italian director Dario Argento’s supernatural horror sensation! Jessica Harper is a ballet student whose school is a front for a coven of lesbian witches.
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THE TURNING POINT (1977) Queer Film C+
How this managed to get eleven Oscar nominations only Hollywood knows. Browne and Baryshnikov cannot act and all of their scenes are painful to watch.
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The Goodbye Girl (1977) Queer Film (C)
Unfortunately, Elliot’s director (Paul Benedict) is a raving, mincing queen who insists that Dreyfus play the part of Shakespeare’s Richard III like Bette Midler.
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The Betsy (1978) Queer Film (F)
Loren Hardeman (Paul Ryan Rudd), the heir to Bethlehem Motors, is queer. Loren kills himself – it is Harold Robbins!
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A Different Story (1978) Queer Film (D)
That old you-can-switch-at-any-time scenario raises its ugly head. Interestingly, no photos of Foster with Curtain or King with Donat – their previous queer partners – appear in the stills library. Yet it is Foster’s spirited performance, especially in the earlier scenes when she IS a dyke, that gives this awful movie it’s only fleeting moments of pleasure, it only grounding in reality. She saves it from an F rating.
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Big Wednesday (1978) Queer Film (F)
Handled with the right tone, these scenes could have been funny, but Milius bungles it, and they end up as some of the most homophobic cinematic moments of a very homophobic decade.
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California Suite (1978) Queer Film C+
Meanwhile, Richard Prior, Bill Cosby and their onscreen partners suffer through one cringeworthy slapstick sequence after another.
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Midnight Express (1978) Queer Film. Movie Fiction. C-
The movie “Midnight Express” is primarily based on fact, but the finished product is mostly a work of fiction.
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Nighthawks (1978) Queer Film (B)
Influenced by the films of Nicholas Ray, particularly Rebel Without a Cause, Peck uses a relaxed cinema verité style with innovative use of hand-held camera and superb use of close-ups.
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