The Menu (2022) Film Review
There is a fantastic faceoff between Fiennes and a mysterious guest who was not invited. She is played by the extraordinary Anna Taylor-Joy
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Category: Thriller
Emily The Criminal (2022) Film Review
Plaza’s performance is something to behold. All of that nervous energy is now bursting out in a performance that is always true and believable.
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Bodies, Bodies, Bodies (2022) Film Review
Beautifully Queer friendly, the relationship between Bee (Maria Bakalova) and Sophiie (Amanda Stenberg) is the emotional center of the movie.
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Tár (2022) Film Review
However, no one seems to have stopped and thought about the age difference between these two maestros. By my calculations, Lenny would have been teaching Lydia when she was five years old!
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Parallel Mothers (2021) Film Review
Now, ” Live Flesh” has dropped to the number two position. “Parallel Mothers” is the new movie at the top of my treasured Almodóvar catalog.
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Under The Skin (2014) Film Review
Guys with erect penises walking downward into a transparent ooze, confused, as Scarlett walks on another level above them.
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Take Shelter (2011) Film Review
It boasts a tremendous performance by Michael Shannon as a quiet man, raising a family, who has horrific nightmares and daytime visions of a meteorological disturbance followed by a feeling that we (the Earth) are being visited by something alien.
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God’s Country (2022) Film Review
But the movie belongs to Newton who gives the best performance of her career here. We are completely in her spell.
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Watcher (2022) Film Review
A marvelous performance by Maika Monroe, who shares with her namesake a beauty and star quality that gives any movie in which she appears a touch of class.
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The Little Things (2021) Film Review
A Great Cast Cannot Save Director John Lee Hancock’s Sleazy Mixture of Forensics and Violence.
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Rebecca (1940) Film Review
“Rebecca”, marked the arrival in Hollywood of the man who was, or would eventually become, the greatest director in the history of cinema.
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The Maltese Falcon (1941) Film Review
The performances are there to savor with the great Mary Astor doing a superb turn as Bridget O’ Shaughnessy and the gay triumvirate bringing up the rear!
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Shadow of a Doubt (1943) Film Review
Alfred Hitchcock, the cinema’s greatest director, made seven perfect films in which every shot, every camera move, every editing sequence is, well, perfect.
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Double Indemnity (1944) Film Review
“Double Indemnity” is the best of the three great film noirs of 1944, the others being “Laura” and “The Woman in the Window”. The three leads are superb as is Wilder’s direction.
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Laura (1944) Film Review
“Laura” is one of the classic film noirs. Gene Tierney is born and Clifton Webb becomes a star in his fifties. Haunting Raksin score.
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The Picture of Dorian Gray (1945) Film Review
Albert Lewin directed his masterpiece, a superb adaptation of Oscar Wild’s “The Picture of Dorian Gray” with a beautiful Hurd Hatfield.
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Gilda (1946) Film Review
Feast your eyes on Vidor’s stylish direction, Rudolph Mate lush black-and-white cinematography the Jean Louis gowns and, of course, Rita Hayworth as Gilda.
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Notorious (1946) Film Review
The term “MacGuffin” originated by Angus MacPhail for film, adopted by Alfred Hitchcock, and later extended to a similar device in other fiction. The MacGuffin here is the Uranium in the cellar.
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Rope (1948) Film Review
The story, which is based on the Leopold and Loeb case is irresistible. Granger and Dall are perfection and Jimmy Stewart is also amazing.
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Kind Hearts and Coronets (1949) Film Review
In “Kind Hearts and Coronets”: Alec Guinness has fun playing all eight (or nine) of the unfortunate D’Ascoynes, including Lady Agatha D’Ascoyne. The photograph shows Dennis Price with Joan Greenwood who plays that little minx Sibella.
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Strangers on a Train (1951) Film Review
Hitchcock reverses himself here, having gay actor Farley Granger play the straight character and straight actor Robert Walker play the gay character.
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Niagara (1953) Film Review
The buildup to Monroe’s superstardom started here. The magnificent widescreen technicolor cinematography if by Joseph MacDonald.
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Rear Window (1954) Film Review
Stewart, Kelly, and Ritter are all magnificent. Kelly, looking radiant, gets to deliver one of the big screen’s all-time sexy lines.
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The Bad Seed (1956) Film Review
Nancy Kelly is ON 100% of the time straddling the twin minefields of camp and drama yet managing to accomplish both simultaneously.
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A Touch of Evil (1958) Film Review
Yes, that is Mercedes McCambridge as the unnamed lesbian gang leader getting her kicks while watching Janet Leigh getting roughed up in Welles’ other masterwork.
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Vertigo (1958) Film Review
Anchored by an incredible performance by James Stewart as Scotty Ferguson a private detective and ex-cop who suffers from vertigo (fear of heights) after a coworker fell to his death, and Kim Novak is spectacular in the dual role of Judy/Madeleine.
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North by Northwest (1959) Film Review
Eva Marie Saint gives Grace Kelly in “Rear Window” a run for her money as Hitchcock’s most elegant leading lady and the chemistry between the two leads is more palpable than in any Hollywood picture before or since.
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Psycho (1960) Film Review
Anthony Perkins’ Norman Bates made him immortal while, at the same, time, ending his career in Hollywood. A masterpiece.
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Advice and Consent (1962) Film Review
Preminger always liked to be cutting edge and he was with “Advise and Consent” a beautifully written, acted and directed movie.
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The Servant (1963) Film Review
A savage indictment of the waning British class system, it’s one of the most chilling films ever made. Winner of Best Screenplay of 1964 from the NYFCC.
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The Best Man (1964) Film Review
“The Best Man” boasts three outstanding performances: Henry Fonda, Cliff Robertson and pre-code star Lee Tracy who returns to the screen.
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Seven Days in May (1964) Film Review
A peak entry in the American political thriller genre, the film boasts four of the greatest performances of the sixties.
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No Way to Treat a Lady (1968) Film Review
“Dorian”, Gill’s hairdresser persona is, of course, gay with a classic sibilant-rich delivery. In the movie’s best scene, just as he is caressing the neck of his intended victim Miss Belle Poppie…
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The Detective (1968) Film Review
However, the awful script by Abby Mann – “Judgement at Nuremberg” – and the mediocre direction by Gordon Douglas put the kibosh on everything.
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Dog Day Afternoon (1975) Film Review
Pacino is magnificent. With Michael Corleone in The Godfather movies, “Dog Day Afternoon” is his defining role.
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Carrie (1976) Film Review
Brian De Palma’s masterpiece and one of the GREAT HORROR MOVIES with tremendous performances from Sissy Spacek and Piper Laurie. The unforgettable score is by Pino Donaggio.
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The Talented Mr. Ripley (1999) Film Review
“Ripley”, Minghella’s masterpiece, boasts Matt Damon’s best performance plus stunning turns by Philip Seymour Hoffman and Jude Law.
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