Eleanor and Frank Perry
Eleanor and Frank Perry’s last movie together was their best, a wonderful adaptation of Sue Kaufman’s “Diary of a Mad Housewife”.
Read MorePosted by Patrick Browne | Apr 1, 2026 | Essays, Featured
Eleanor and Frank Perry’s last movie together was their best, a wonderful adaptation of Sue Kaufman’s “Diary of a Mad Housewife”.
Read MorePosted by Patrick Browne | Apr 1, 2026 | Essays, Featured, Queer Film, Queer Film/TV
“Fassbinder Revisited: A Cinematic Journey” reveals three masterworks of cinema: The Bitter Tears of Petra von Kant, Ali: Fear Eats the Soul, and Veronika Voss. And two for television: The Stationmaster’s Wife (also known as Bolweiser) and the 14-episode Berlin Alexanderplatz.
Read MorePosted by Patrick Browne | Apr 1, 2026 | Criterion Collection, Directors (Hitchcock and others)
Included are my favorite thirteen films. Four are directed by Godard, three by Truffaut, two by Renais, and one each by Chabrol, Demy, Malle, and Varda.
Read MorePosted by Patrick Browne | Apr 1, 2026 | Essays, Featured
They were the darlings of the art house circuit. Their work in a language other than English is some of the greatest ever captured on film. But Hollywood…
Read MorePosted by Patrick Browne | Apr 1, 2026 | Directors (Hitchcock and others)
Why did a great director make so many bad movies? How could the man who made “Dog Day Afternoon” make 24 unwatchable films?
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