The Bride of Frankenstein (1935) Film Review

Bride of Frankenstein
Susan Sontag: Notes on Camp: 1964: The Partisan Review
You thought it (camp) meant a swishy little boy with peroxided hair, dressed in a picture hat and a feather boa, pretending to be Marlene Dietrich? Yes, in queer circles they call that camping. … You can call [it] Low Camp
Susan Sontag: The Partisan Review 1964

High Camp is the whole emotional basis for ballet, for example, and of course of baroque art … High Camp always has an underlying seriousness. You can’t camp about something you don’t take seriously. You’re not making fun of it, you’re making fun out of it. You’re expressing what’s basically serious to you in terms of fun and artifice and elegance. Baroque art is basically camp about religion. The ballet is camp about love …
Susan Sontag: The Partisan Review 1964
DIRECTOR: James Whale
BOTTOM LINE: Director James Whale’s masterpiece is as close to Susan Sontag’s definition of high camp as the movies can deliver.
POST TITLE: Fifty-Four Queer Films Made Under the Hays Code (1934-1967)
CATEGORY: My Favorites
STREAMING: Amazon Prime and Apple TV+

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