DIRECTION: Shirley Clarke
Cinematography: Jeri Sopanen
Film-Makers Distributers (Original release)
Milestone Films (Re-release)
From Korngold and Steiner to Herrmann to Greenwood, Levi, and Britell, here are my 90 all-time favorite original movie scores.
Spanning over a century of filmmaking, and tracing the gamut from slasher to psychological to supernatural, TheBrownees ranks the 135 greatest horror movies from 1920 to 2026. The top 15 are: Psycho, Midsommar, The Exorcist, The Shining, Alien, The Road, Dead Ringers, Take Shelter, Under the Skin, Carrie, Halloween, Rosemary’s Baby, The Substance, Hereditary and Don’t Look Now. Directors Tod Browning, Robert Eggers, Roman Polanski, George A. Romero and James Whale are each listed three times. Fourteen directors are represented twice – Ari Aster, John Carpenter, Wes Craven, Zach Cregger, David Cronenberg, Brian De Palma, Coralie Fargeat, Alfred Hitchcock, Tobe Hooper, Jordan Peel, Ken Russell, Steven Spielberg, Jacques Tourneur and Robert Wise. Fargeat, is one of five female directors on the list and the only one to be represented twice. The others are fellow French director Julia Ducoumau, British director Rose Glass and American filmmakers Kathryn Bigelow and Karyn Kusama. Be afraid! Be very afraid!
Irving Berlin tops the list with twenty-one songs, followed by Harry Warren with twenty and Harold Arlen and Jimmy Van Heusen with eighteen apiece.
88 Queer Films Made During theHays Code Era (1934-1968). Six of the movies listed won Best Picture at the Oscars, while a further 11 were nominated in the Best Picture category
The death of the Hays Code and the rise of the New Hollywood saw an explosion of Queer Cinema from “No Way to Treat a Lady” to “Taxi zum Klo.” Here are 110 Queer Films from the New Hollywood.
Irving Berlin tops the list with 21 songs, followed by Johnny Mercer with 19, Sammy Cahn with 16, Ira Gershwin with 14, and Johnny Burke with 10.
Hal Mohr** is the only person to have won a competitive Academy Award without being nominated for it. Mohr was allowed to keep his Oscar and won a second.
Seven films in which every shot, every camera move, every editing sequence is perfect. Four of the seven movies star either Cary Grant or Jimmy Stewart.
Eleanor and Frank Perry’s last movie together was their best, a wonderful adaptation of Sue Kaufman’s “Diary of a Mad Housewife”.
They were the darlings of the art house circuit. Their work in a language other than English is some of the greatest ever captured on film. But Hollywood…
Although Charles Laughton made only one and, therefore, final film, based on this film alone, he is of the Great Directors.
Number One: Before the Devil Knows You’re Dead (Sidney Lumet: 2007). Number Five: Family Plot (Alfred Hitchcock: 1976).
Joni dazzles in the best of her three live albums. It helps that the show is built around “Hejira”. Of the 19 tracks, 4 are from this album.
Rated: the Dan’s seven classic albums released between 1972 and 1980. Rated: Donald’s “The Nightfly” as continuum with “Aja” and “Gaucho”.
Our heroine suffers through the most hideous body sculpting indignities, heaped on her by the effete and sadistic proto-plastic surgeon, Dr. Esthetique.
The story unfolds, in real time, almost entirely within the confines of Sardi’s bar in New York, where Hart spends the evening grappling with his fading relevance, alcoholism, homosexuality and mental health struggles.
Director Michael Pearce moves with visceral precision and Julianne Moore shows us, yet again, what a magnificent actress she can be.
After a while, though, you begin to feel beaten down by the sheer refinement of it all. The perfectly framed, perfectly edited tableaux. The exquisite, sparingly used music score. The subtle, to the point of being abstruse, performances of the stars.
As for Judy Davis she gives what is probably her most outstanding performance, which means it’s one of the greatest performances ever captured on film.
The directors are extremely cine-literate. However, their references never seemed forced and I basked in their cinematic vision.
Meise directs what must be some of the most beautiful and heartfelt scenes ever captured on film between two men in love.
“NYFCC Award for Best Supporting Actress”: In the fifty-six years since 1969 fourteen of their choices have failed to land. a nomination. That’s 25%.
In “Kind Hearts and Coronets”: Alec Guinness has fun playing all eight (or nine) of the unfortunate D’Ascoynes, including Lady Agatha D’Ascoyne. The photograph shows Dennis Price with Joan Greenwood who plays that little minx Sibella.
Hume Cronyn and John Randolph are our happy and well-adjusted gay couple. Yes, they fight and bicker all the time. However, they are clearly madly in love with each other.
In “Jeanne Dielman”, a feminist masterpiece, the everyday details of a caring mother contrast with her life as a prostitute.