Les Biches (1968) Queer Film A-

DIRECTOR: Claude Chabrol.
Chabrol’s first major commercial success after a difficult mid‑60s stretch, Les Biches is the director at a crossroads – he is saying goodbye to his nouvelle vague roots and hello to his future as the French Alfred Hitchcock, the Gallic master of suspense.
Frédérique, a wealthy, imperious woman who collects people the way others collect art (Stéphane Audran – Mrs. Chabrol at the time) encounters Why (Jacqueline Sassard) a young, drifting street artist whose vulnerability becomes both her allure and her danger, sketching on the Pont des Arts in Paris. Struck by her beauty and fragility, she invites the younger woman into her orbit—first for dinner, then to her villa in Saint‑Tropez. The dynamic is immediately asymmetrical: Frédérique is the patron, Why the protégée, but the emotional current runs both ways. In Saint‑Tropez, the pair live in a quasi‑romantic, quasi‑maternal arrangement until Paul (Jean Luis Trintignant) enters the picture. He is drawn to Why’s innocence, but Frédérique’s wealth and charisma also pull him in. The triangle forms quietly, almost politely, but the power shifts are unmistakable.
Chabrol’s direction is icy, geometric, and controlled. The villa becomes a psychological maze; the color palette (especially the whites and blues) reinforces the emotional chill. Stéphane Audran’s performance is a masterclass in elegant menace.
While the film does not acknowledge any literary sources, Les Biches is loosely based on Patricia Highsmith’s 1955 novel The Talented Mr. Ripley, with the main characters’ genders being switched. Chabrol’s screenwriter Paul Gégauff had previously adapted the novel into Purple Noon for director René Clément in 1960.

Cinematography: Jean Rabier

Streaming on YouTube

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