Suspiria (1976) Dario Argento’s Cabal of Lesbian Witches A-
Italian director Dario Argento’s supernatural horror sensation! Jessica Harper is a ballet student whose school is a front for a coven of lesbian witches.
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The Eiger Sanction (1975) Cinema’s First Queer Canine D+
When we first meet FAGGOT he is pleasuring himself on Eastwood’s shoe. Who was the dog who played him? His owner, an effete Jack Cassidy, trained the little rascal to do that to every man who stopped by.
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Grey Gardens (1975) Film Review A+
After its release, the film’s high campness – a tragic story set in the faded milieu of New York high society – developed a significant gay following.
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Freebie and the Bean (1974) Film Review D-
Our heroes, James Caan and Alan Arkin, first encounter Morley in a bathtub. He’s preening and lisping, and you can see that he disgusts them.
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The Last of Sheila (1973) Perkins and Sondheim Have Fun! B
The actors are in good form, with Raquel Welsh being particularly impressive in her one genuinely good film. Dyan Cannon is a thinly disguised Sue Mengers.
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Save the Tiger (1973) Film Review B-
The writer Steve Shagen, an educated Jew, is in the Stone Age when it comes to a human being who has a different sexual preference than himself.
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Summer Wishes, Winter Dreams (1973) Film Review B-
Rita Walden, played beautifully by Joanne Woodward, in what is probably her best performance is about to go through a midlife crisis.
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Play It As It Lays (1972) Film Review C-
Unfortunately, despite a good performance by Weld, the film only comes alive when she is driving endlessly around LA’s spectacular freeways.
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Pete ‘n’ Tillie (1972) Film Review B-
And then there Tillie’s other best friend Jimmy, the film’s token gay guy, played by René Auberjonois, who had one of the most memorable names in cinema.
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The Anderson Tapes (1971) Film Review D
Hamming it up and mincing all over the place, this is a cringe-worthy performance from Martin Balsam who is not referred to by his given name, just The Fag.
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The Conformist (1970) Nando, Vittorio and Bernardo’s Masterpiece A+
Using Art Deco as a backdrop to the film’s narrative, the partnership of Bertolucci, Storaro and Scarfiotti changed the look of Cinema forever.
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Diary of a Mad Housewife (1970) Film Review A+
Starring a luminous Carrie Snodgress, the last movie that director Frank Perry and his screenwriter wife Eleanor made together is their best.
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The Sterile Cuckoo (1969) From Pookie to Sally B-
Liza Minnelli’s Oscar-nominated turn as quirky, oddball and needy “Pookie” Adams is a preview of her Oscar-winning performance in “Cabaret.”
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Z (1969) Film Review B+
Few seem to have noticed that “Z” is a virulently homophobic film in which the main villain is a homosexual and convicted pedophile.
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The Swimmer (1968) Film Review B
With a near-great performance by Burt Lancaster as the title character who “swims his way home” through his “river” of backyard swimming pools…
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The L-Shaped Room (1963) Film Review A-
Writer/director Bryan Forbes lovely and faithful adaptation of the Lynne Reid Banks novel boasts Leslie Caron’s greatest performance.
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David and Lisa (1962) Film Review C
In fact, many of Theodore Isaac Rubin’s beliefs have now fallen out of favor. Despite the film’s sensitive moments, it often seems dangerously simplistic and naive.
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Purple Noon (1960) Film Review B+
Although it lacks the emotional depth and the great supporting cast of Minghella’s film, this version has a unique style thanks to director Rene Clement.
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Psycho (1960) Film Review A+
Anthony Perkins’ Norman Bates made him immortal while, at the same, time, ending his career in Hollywood. A masterpiece.
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North by Northwest (1959) Film Review A+
Eva Marie Saint gives Grace Kelly in “Rear Window” a run for her money as Hitchcock’s most elegant leading lady and the chemistry between the two leads is more palpable than in any Hollywood picture before or since.
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Vertigo (1958) Film Review A+
Anchored by an incredible performance by James Stewart as Scotty Ferguson a private detective and ex-cop who suffers from vertigo (fear of heights) after a coworker fell to his death, and Kim Novak is spectacular in the dual role of Judy/Madeleine.
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Tea and Sympathy (1956) Film Review. A-
The film has improved with age. What could not be said under the Hayes code (according to Deborah, the words homosexual, gay, or queer were never mentioned during the entire production – not even, or especially, by gay director Vincente Minnelli) gives it a beauty and delicacy, especially in Deborah’s sublime performance.
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Rear Window (1954) Film Review A+
Stewart, Kelly, and Ritter are all magnificent. Kelly, looking radiant, gets to deliver one of the big screen’s all-time sexy lines.
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Calamity Jane (1953) Film Review B+
The Best Queer Song in the History of Cinema: Day’s spectacular delivery of the Sammy Fain-Paul Francis Webster masterpiece “Secret Love.”
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Strangers on a Train (1951) Film Review A-
Hitchcock reverses himself here, having gay actor Farley Granger play the straight character and straight actor Robert Walker play the gay character.
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Rope (1948) Film Review A-
The story, which is based on the Leopold and Loeb case is irresistible. Granger and Dall are perfection and Jimmy Stewart is also amazing.
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Brute Force (1947) Film Review B+
He is interested in art and music. He is a raving homosexual and a very nasty one at that! Hume Cronyn, a consummate actor, plays him to the hilt.
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Notorious (1946) Film Review A+
The term “MacGuffin” originated by Angus MacPhail for film, adopted by Alfred Hitchcock, and later extended to a similar device in other fiction. The MacGuffin here is the Uranium in the cellar.
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Mildred Pierce (1945) Film Review A+
Brilliantly filmed in high Germanic style by a wondrously talented bunch of ex-pat Viennese uber talents: Curtiz, Anton Grot and Max Steiner.
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Murder My Sweet (1944) Film Review. B+
Powell is in very good company, and he acquits himself admirably. He also gets props for being the first to play Marlowe.
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