Director Frank Perry’s first film without his wife Eleanor.

Book: Joan Didion

Adaptation: Perry with Didion’s husband John Gregory Dunne

Producers: Perry with Didion’s brother-in-law Dominick Dunne

Tuesday Weld’s Maria is a movie actress, who strolls on the grounds of a mental hospital, recalling the traumatic events which led to her breakdown. She is married to an unfaithful, self-engrossed director (Adam Roarke) who neglects her. Following a series of one-night stands she becomes pregnant. Her husband divorces her, and she has an illegal abortion. Maria’s only friend is B.Z., a homosexual movie producer played by Anthony Perkins. World-weary, he tells Maria that he has discovered the meaning of life is nothing. He invites her to commit suicide with him. However, she decides to live and cradles him as dies after taking an overdose of sleeping tablets.

It’s a very seventies movie, adapted from one of Didion’s weaker novels. Unfortunately, despite a good performance by Weld, the film only comes alive when she is driving endlessly around LA’s spectacular freeways. Perkins is passable in the underwritten role of another doomed homosexual.

POST TITLE: Twenty-Seven Queer Films 1967-1976. Queer Cinema Comes Out.

CATEGORY: My Favorites

SUBCATEGORY: Queer Film

STREAMING: YouTube.