Adapted by Simon Gray from his stage play and directed by Harold Pinter, the movie is a testament to Alan Bates, who, having originated the role on stage, delivers a tour-de-force performance, simultaneously witty, pathetic, and tragic.
Read More
Directed by Jack Clayton, from an adaptation by Francis Ford Coppola, this was the third film version of F. Scott Fitzgerald’s Jazz Age masterpiece.
Read More
The second scene is where the boys are horsing around and, wouldn’t you know it, they almost start pounding one another. Very sexy.
Read More
Michael Cimino’s directorial debut – he also wrote the screenplay – was an enormous critical and commercial success and paved the way for his Oscar-winning triumph The Deer Hunter four years later. Blending humor, melancholy, and violence with a nod to the American road movie, the film boasts great buddy-film chemistry between Eastwood and Bridges.
Read More
When we first meet FAGGOT, he is pleasuring himself on Eastwood’s shoe. Who was the dog who played him? Was it nature or nurture?
Read More
Polanski captured the FEEL of LA better than anyone before or sense. Jack Nicholson gives his greatest performance as private dick J. J. ” Jake” Gittes.
Read More
An impressive performance by Brenda Vaccaro as a high-powered magazine editor – she received an Oscar nomination. Ironically, because the movie has a tiny modicum of taste, it has never developed the Midnight cult following that made the infinitely more dreadful Valley of the Dolls immortal.
Read More
It is, of course, a GROUP EXPERIENCE with those inspired zingers going back to the screen, composed by a generation of audience members over the years.
Read More
In “Barry Lyndon” there is a moment where Ryan O’Neal finds two soldiers naked and holding hands in a pond as they confess their love for one another.
Read More
“In Celebration” is another filmed stage play that makes no attempts to hide its origin. However, the performers are so engaging that you stay with them. All of the actors have their moments, with Alan Bates making the most significant impression.
Read More
One of those rare instances where the remake is marginally better than the original, Farewell My Lovely not only keeps the original title of Raymond Chandler’s novel but is also more faithful to the book’s spirit.
Read More
Pacino is magnificent. With Michael Corleone in The Godfather movies, “Dog Day Afternoon” is his defining role.
Read More
A fascinating look at gay life in the seventies, it’s one of a dozen great movies Fassbinder wrote and directed in the decade before his untimely death.
Read More
After its release, the film’s high campness – a tragic story set in the faded milieu of New York high society – developed a significant gay following.
Read More
His life becomes a kind of performance art and Hurt is phenomenal. One of the great queer performances as one of the great Queers.
Read More
In “Jeanne Dielman”, a feminist masterpiece, the everyday details of a caring mother contrast with her life as a prostitute.
Read More
Weir, who showed, like Hitchcock, that horror can be visited upon us on the brightest and most beautiful of summer days.
Read More
John Colicos’ DeMarigny is a loathsome excuse for a human being who harbors queer desires.
Read More
Part mob comedy and part drag review, this exhausting adaptation of Terence McNally’s hit play wears out its welcome in the first thirty minutes
Read More
What we do have, however, is Redd Foxx as the dad and thank God for that! The result is a laugh every other minute. Foxx does not have to work for it, he’s a natural and he basically saves the movie.
Read More
You come to “Car Wash” for Antonio Vargas’ Lindy, who delivers razor-sharp shade to his homophobic coworker Duane (Bill Duke). You stay because a day at the Dee-Luxe Car Wash in Los Angeles is, despite the slurs, occasionally fun.
Read More
Lenny Baker delivers a marvelous, lived‑in performance, radiating zest for life. Tragically, Baker’s career was cut short; he died of thyroid cancer at just 37 in 1982, never appearing in another film.
Read More
Why did Billy Joe McAllister jump off the Tallahassee Bridge? The answer, according to director Max Baer, is because he slept with a man.
Read More
Brian De Palma’s masterpiece and one of the GREAT HORROR MOVIES with tremendous performances from Sissy Spacek and Piper Laurie. The unforgettable score is by Pino Donaggio.
Read More
After two hours of heterosexual escapades—casual hookups, fleeting romances, and Theresa’s own search for identity—the story reserves its harshest judgment not for the straight milieu it has been dissecting, but for queer desire.
Read More
Russell’s worst film, it cannot even be enjoyed as camp. The audience either walked out or slept their way through the movie.
Read More
Blaney (Michael MacKezie Willis) is a young gay man who is cruising MacArthur Park in LA. The cops are there as well. When Blaney opens the police van’s door, he mistakenly thinks that Officer Lyles (Don Stroud) is waiting for him. Lyles, a Vietnam veteran, is in the middle of a PTSD flashback and shoots him in the face. The death of “the fag” gets a big cheer and a big laugh from the audience.
Read More
Italian director Dario Argento’s supernatural horror sensation! Jessica Harper is a ballet student whose school is a front for a coven of lesbian witches.
Read More
How this managed to get eleven Oscar nominations only Hollywood knows. Browne and Baryshnikov cannot act and all of their scenes are painful to watch.
Read More
Unfortunately, Elliot’s director (Paul Benedict) is a raving, mincing queen who insists that Dreyfus play the part of Shakespeare’s Richard III like Bette Midler.
Read More