The Naked Civil Servant (1975) Queer Film (A)
His life becomes a kind of performance art and Hurt is phenomenal. One of the great queer performances as one of the great Queers.
Read More
Category: Apple TV+
Picnic at Hanging Rock (1975) Queer Film A+
Weir, who showed, like Hitchcock, that horror can be visited upon us on the brightest and most beautiful of summer days.
Read More
Drum (1976) Queer Film (F)
John Colicos’ DeMarigny is a loathsome excuse for a human being who harbors queer desires.
Read More
The Ritz (1976) Queer Film C+
Part mob comedy and part drag review, this exhausting adaptation of Terence McNally’s hit play wears out its welcome in the first thirty minutes
Read More
Norman… Is That You? (1976) Queer Film (C)
What we do have, however, is Redd Foxx as the dad and thank God for that! The result is a laugh every other minute. Foxx does not have to work for it, he’s a natural and he basically saves the movie.
Read More
Car Wash (1976) Queer Film C+
You come to “Car Wash” for Antonio Vargas’ Lindy, who delivers razor-sharp shade to his homophobic coworker Duane (Bill Duke). You stay because a day at the Dee-Luxe Car Wash in Los Angeles is, despite the slurs, occasionally fun.
Read More
Ode to Billy Joe (1976) Queer Film C+
Why did Billy Joe McAllister jump off the Tallahassee Bridge? The answer, according to director Max Baer, is because he slept with a man.
Read More
Carrie (1976) Queer Film A+
Brian De Palma’s masterpiece and one of the GREAT HORROR MOVIES with tremendous performances from Sissy Spacek and Piper Laurie. The unforgettable score is by Pino Donaggio.
Read More
Looking for Mr. Goodbar (1977) Queer Film Focus (F)
After two hours of heterosexual escapades—casual hookups, fleeting romances, and Theresa’s own search for identity—the story reserves its harshest judgment not for the straight milieu it has been dissecting, but for queer desire.
Read More
Valentino (1977) Queer Film (F)
Russell’s worst film, it cannot even be enjoyed as camp. The audience either walked out or slept their way through the movie.
Read More
Suspiria (1977) Queer Film A-
Italian director Dario Argento’s supernatural horror sensation! Jessica Harper is a ballet student whose school is a front for a coven of lesbian witches.
Read More
THE TURNING POINT (1977) Queer Film C+
How this managed to get eleven Oscar nominations only Hollywood knows. Browne and Baryshnikov cannot act and all of their scenes are painful to watch.
Read More
The Goodbye Girl (1977) Queer Film (C)
“The Goodbye Girl”: Unfortunately, Elliot’s director (Paul Benedict) is a raving, mincing queen who insists that Dreyfus play the part like Bette Midler.
Read More
The Betsy (1978) Queer Film (F)
Loren Hardeman (Paul Ryan Rudd), the heir to Bethlehem Motors, is queer. Loren kills himself – it is Harold Robbins!
Read More
A Different Story (1978) Queer Film (F)
The old you-can-switch-at-any-time scenario. Not a single photo of Foster with Curtain or King with Donat exists.
Read More
Big Wednesday (1978) Queer Film (F)
Handled with the right tone, these scenes could have been funny, but Milius bungles it, and they end up as some of the most homophobic cinematic moments of a very homophobic decade.
Read More
California Suite (1978) Queer Film C+
Meanwhile, Richard Prior, Bill Cosby and their onscreen partners suffer through one cringeworthy slapstick sequence after another.
Read More
Midnight Express (1978) Queer Film. Movie Fiction. C-
The movie “Midnight Express” is primarily based on fact, but the finished product is mostly a work of fiction.
Read More
The Warriors (1979) Queer Film B+
Screenplay by David Schaber and Walter Hill based on the novel of the same name by Sol Yurick, which, in turn, was based on Anabasis – the journey of the Ten Thousand from Greece to Persia in 401BCE – by Greek soldier Xenophon. Directed with great style by Walter Hill. Cinematography by Andrew Laszlo.
Read More
La Cage aux Folles (1979) Queer Film C+
“La Cage aux Folles”: What may have seemed like a scream fifty years ago now seems jaded, with just the occasional laugh. Still better than the US remake.
Read More
Manhattan (1979) Queer Film A+
However, from a queer persecutive, the standout, among all of the gifts that Woody gives us in this movie, is Meryl Streep’s blistering low-key, no nonsense turn as Isaac’s (Allen) second ex-wife Jill. When they married she was bisexual. When they broke-up she was a confirmed lesbian.
Read More
All That Jazz (1979) Queer Film A+
Joe Gideon (superbly played by Roy Scheider, in an Oscar‑nominated role) is a Broadway director and choreographer, clearly modeled on Bob Fosse himself. Gideon is simultaneously staging a new Broadway musical (NY/LA) and editing a film (The Stand‑Up), mirroring Fosse’s real‑life juggling of Chicago and Lenny.
Read More
Cruising (1980) Queer Film (F)
Gay men in New York protested the making of this movie, and they were right. It boasts not a single redeeming feature. Exploitation, anyone?
Read More
Windows (1980) Queer Film (F)
Virulently homophobic movie, it was the only outing as director by legendary cameraman Gordon Willis. He and his two leading ladies should have known better.
Read More
Can’t Stop the Music (1980) Queer Film (F)
Viewer beware! There is no camp here. Just Boredom. Utter boredom. I will never have this time back again.
Read More
Fame (1980) Queer Film B-
Actor Paul McCrane’s token gay character, Montgomery, stood out as an honest and moving portrayal of a shy, talented young man.
Read More
American Gigolo (1980) Queer Film (A)
Watching American Gigolo, you knew that Courtesy of Giorgio and Nando, two gay Italian men, glamor and fashion had returned to the world, not just Hollywood but the entire world.
Read More
Times Square (1980) Queer Film (B)
Sweet coming-of-age lesbian movie. Director Allan Moyle’s Times Square is a gritty, punk‑infused coming‑of‑age drama set in pre‑Disneyfied Manhattan, where the city’s chaos becomes a refuge for two teenage girls who don’t fit anywhere else.
Read More
Dressed to Kill (1980) Queer Film A-
Thanks to Ralph D. Bode’s cinematography and Pino Donaggio’s haunting score, it is both a visual and an aural feast.
Read More
Nijinsky (1980) Queer Film C-
“Nijinsky” asks the question: Why does a great artist go crazy? Ross and Wheeler, however, take a reductive approach and blame the woman.
Read More