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In “Kind Hearts and Coronets”: Alec Guinness has fun playing all eight (or nine) of the unfortunate D’Ascoynes, including Lady Agatha D’Ascoyne. The photograph shows Dennis Price with Joan Greenwood who plays that little minx Sibella.
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1948 was the year of Montgomery Clift. In addition to Hawkes “Red River” there was Fred Zinnemann’s “The Search” and William Wyler’s “The Heiress”.
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He is interested in art and music. He is a raving homosexual and a very nasty one at that! Hume Cronyn, a consummate actor, plays him to the hilt.
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Albert Lewin directed his masterpiece, a superb adaptation of Oscar Wild’s “The Picture of Dorian Gray” with a beautiful Hurd Hatfield.
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Brilliantly filmed in high Germanic style by a wondrously talented bunch of ex-pat Viennese uber talents: Curtiz, Anton Grot and Max Steiner.
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The movie from 1944, with four lesbian characters, still entertains. Victor Young’s haunting theme was made into a song “Stella by Starlight.”
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Powell is in very good company, and he acquits himself admirably. He also gets props for being the first to play Marlowe.
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“Laura” is one of the classic film noirs. Gene Tierney is born and Clifton Webb becomes a star in his fifties. Haunting Raksin score.
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Written on the fly by the fabulous Epstein twins and Howard Koch and directed by Michael Curtiz, this is one of the most romantic of all Hollywood movies.
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Monty Wooley delights as the impossibly pompous Sheridan Whiteside in William Keighley’s wonderful adaptation of the Kauffman/Hart play.
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The performances are there to savor with the great Mary Astor doing a superb turn as Bridget O’ Shaughnessy and the gay triumvirate bringing up the rear!
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She captured everyone’s heart, gay or straight. There is something vulnerable yet confident about her. And then there is that incredible voice!
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Every character in the movie, and every animal featured, was female. Great work by Crawford, Russell, Shearer and Mary Boland.
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Both gay and trans, Sylvia/Sylvester set the bar impossibly high for years to come. One of the great financial disasters of the 1930s, it resulted in Hepburn being labelled box office poison.
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The Best of the Astaire-Rogers movies. Cinematography: David Abel. Production Design: Carroll Clark/Van Nest Polglase. Songs: Irving Berlin.
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Director James Whale’s masterpiece is as close to Susan Sontag’s definition of high camp as the movies can deliver.
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