Valley of the Dolls (1967) Queer Film D+. High Camp at a Gay Midnight Screening.
A movie to be seen AT A MIDNIGHT SCREENING WITH A GAY CROWD, – a GROUP experience. Do not see this movie on your own.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 60s, Amazon, Apple TV+, D+, Film Reviews, Queer Film, Ratings: Movies and Television, Streaming, YouTube
A movie to be seen AT A MIDNIGHT SCREENING WITH A GAY CROWD, – a GROUP experience. Do not see this movie on your own.
Read MorePosted by Patrick Browne | Sep 12, 2022 | 60s, A, Criterion Collection, Documentary, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming
A true breakthrough and a film that has improved with age. Documentary filmmaker Shirley Clarke interviews gay African American hustler and aspiring cabaret performer Jason Holliday in his apartment at the Hotel Chelsea.
Read MorePosted by Patrick Browne | Sep 11, 2022 | 60s, A+, Amazon, Apple TV+, Film Music, Film Music | LA Music Scene, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
Marlon Brando does something extraordinary with his closeted gay character. Major Penderton is one of his truly great interpretations, right up there with his Stanley Kowalski. Elizabeth Taylor gives one of her best and most relaxed performances in years. She was just beginning to pile on the weight at this time, and she uses her body fearlessly, like a weapon.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 60s, Amazon, Apple TV+, B+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
Not nearly as shocking today as it was in 1967, The Producers remains wildly entertaining. A huge part of its staying power comes from Roger De Bris and his exquisitely mannered assistant Carmen Ghia, played by the great Christopher Hewett and Andreas Voutsinas, respectively.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 60s, B+, Film Music, Film Music | LA Music Scene, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television
“The Fox” does interesting things with color saturation (Bill Fraker is the cinematographer), and the haunting Lalo Schifrin score has entered the jazz canon. Bypassing the Hays Office, the film was released independently in the United States, without a Code seal of approval.
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