Suddenly Last Summer (1959) Queer Film C+

Suddenly Last Summer
DIRECTOR Joseph L. Mankiewicz
Another Southern Gothic—this time from one of Tennessee Williams’s less‑inspired plays—Suddenly, Last Summer was adapted for the screen by Gore Vidal and Williams himself. We never meet the film’s central gay character, Sebastian Venable; he is already dead when the story begins, his body torn apart and devoured by a mob of young men on a European beach. He had been traveling with his cousin Catherine (Elizabeth Taylor), who has been mentally shattered by the experience and is now prone to reliving the details.
Katherine Hepburn plays Sebastian’s mother, Violet Venable, a regal, venomous matriarch who attempts to bribe a young psychosurgeon (Montgomery Clift) into lobotomizing Catherine to silence her. Violet’s sorest point is that, once her own beauty faded, Sebastian replaced her with Catherine—he used both women as bait to attract the boys he desired.
The film is often risible, but its few pleasures are memorable: Hepburn’s imperious, icy performance as a mother willing to destroy her niece to preserve her son’s memory, and Oliver Messel’s lush tropical production design, complete with carnivorous plants and Venus flytraps that literalize the story’s themes of consumption and predation. Clift, post‑accident, looks ill and fragile, while Taylor is saddled with one of her least effective screen moments in the climactic monologue recounting that terrible summer’s day.
Hepburn, Taylor, and Messel all received Oscar nominations. It was only the second time in Academy history that two actresses from the same film were nominated for Best Actress—the first being nine years earlier, when Bette Davis and Anne Baxter competed for All About Eve, also directed by a certain Mr. Joseph L. Mankiewicz
Cinematography: Jack Hildyard
Horizon Pictures | Columbia Pictures | Sam Spiegel

STREAMING: Amazon Prime Video, YouTube and Apple TV

https://thebrownees.net/the-best-films-directed-by-joseph-l-mankiewicz/
https://thebrownees.net/88-queer-films-made-under-the-hays-code-1934-1968/
https://thebrownees.net/110-queer-films-from-the-new-hollywood-1968-1980/
https://thebrownees.net/a-streetcar-named-desire-1951-queer-film/
https://thebrownees.net/cat-on-a-hot-tin-roof-1958-queer-film/
https://thebrownees.net/the-42-most-honored-directors-in-cinema-history/
Reflections in a Golden Eye: Exploring Queer Cinema – TheBrownees
Sylvia Scarlet (1935) Queer Film B- TheBrownees
Stage Door (1937) Queer Film Analysis – TheBrownees
Bringing Up Baby (1938) Queer Film A- TheBrownees
The Lion in Winter: Power and Succession Drama – TheBrownees
Adam’s Rib (1949) Queer Film (A). – TheBrownees

Popular Articles

TheBrownees Ranks the 135 Greatest Horror Movies, 1920 to 2026.

TheBrownees Ranks the 135 Greatest Horror Movies, 1920 to 2026.

Spanning over a century of filmmaking, and tracing the gamut from slasher to psychological to supernatural, TheBrownees ranks the 135 greatest horror movies from 1920 to 2026. The top 15 are: Psycho, Midsommar, The Exorcist, The Shining, Alien, The Road, Dead Ringers, Take Shelter, Under the Skin, Carrie, Halloween, Rosemary’s Baby, The Substance, Hereditary and Don’t Look Now. Directors Tod Browning, Robert Eggers, Roman Polanski, George A. Romero and James Whale are each listed three times. Fourteen directors are represented twice – Ari Aster, John Carpenter, Wes Craven, Zach Cregger, David Cronenberg, Brian De Palma, Coralie Fargeat, Alfred Hitchcock, Tobe Hooper, Jordan Peel, Ken Russell, Steven Spielberg, Jacques Tourneur and Robert Wise. Fargeat, is one of five female directors on the list and the only one to be represented twice. The others are fellow French director Julia Ducoumau, British director Rose Glass and American filmmakers Kathryn Bigelow and Karyn Kusama. Be afraid! Be very afraid!

Subscribe for the latest reviews right in your inbox!