Wonder Bar (1934) Queer Film C+

Wonder Bar (1934) is a pre‑Code – Hays Code transition Warner Bros. musical starring Al Jolson, Kay Francis, Dolores del Río, Ricardo Cortez, and Dick Powell, directed by Lloyd Bacon and featuring musical staging by Busby Berkeley. The film takes place over one night at a Paris nightclub called the Wonder Bar, run by Jolson’s character, Al Wonder. The plot weaves together multiple intersecting storylines, all unfolding amid music, dancing, and romantic intrigue. It’s remembered today as a glossy but deeply problematic artifact of early Hollywood—full of lavish production numbers, melodrama, and even a brief same-sex dance gag in which a man asks a couple if he can cut into their dance, and, while the woman says Sure, he dances away with her partner!

BOYS WILL BE BOYS! WOOO WOOO!

Bandleader Al Jolson sees the two men dancing away from the crowd and into our lives in Wonder Bar!

This scene would have been impossible once the Production Code was enforced a few months after the film’s release. In fact, Joseph Breen, the man responsible for enforcing the Code, was so incensed that this particular scene had slipped by him that he succeeded in persuading the state censor boards in Ohio and Pennsylvania to cut the offending sequence, although the scene would be back in the 1936 Warner Bros. re-issue! However, if anything in the film was offensive, it was the racist closing musical number (written by Dubin and Warren) of Al Jolson in blackface doing Goin’to Heaven on a Mule in which Black people were shown eating watermelon in one of Berkeley’s big production numbers. It seems that Breen had no problems with this one!

Wonder Bar is not available for Streaming. However, the DVD is available from Amazon.

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