The Private Life of Sherlock Holmes (1970) Queer Film A-

  Writer/director Billy Wilder
Billy Wilder’s “The Private Life of Sherlock Holmes” is an affectionate, slightly parodic look at the Holmes-Watson relationship. It’s August 1887, and Sherlock Holmes (Robert Stephens) is approached by a famous Russian ballerina, Madame Petrova, who wishes to have a child. She proposes that Sherlock Holmes be the father, hoping their offspring will inherit her beauty and his intellect. Holmes extricates himself by claiming that Dr. Watson (Colin Blakely) is his lover, much to the doctor’s embarrassment. At 221B, Watson confronts Holmes about the reality of the ensuing rumors. Holmes only states that Watson is “being presumptuous” by asking him whether he has had relationships with women. Wilder has said that he originally intended to portray Holmes explicitly as a repressed homosexual, stating:

I should have been more daring. I have this theory. I wanted to have Holmes homosexual and not admitting it to anyone, including maybe even himself. The burden of keeping it secret was the reason he took dope.

Billy Wilder: Gemünden, Gerd (2008). A Foreign Affair: Billy Wilder’s American Films. Brooklyn: Berghahn Books. p. 147. ISBN978-1-78533-475-7.

This work is, without a doubt, the underrated gem in the Wilder canon. Both Stephens (his best screen performance) and Blakely do excellent work, while Geneviève Page gives a beautiful melancholy performance as a German spy secretly in love with Holmes. The Russian Ballet/Tchaikovsky sequence is a classic and represents Wilder at best.
Original screenplay by Wilder and I. A. L. Diamond.

STREAMING: Amazon Prime Video and Apple TV+

Seventy Queer Films Made Under the Hays Code (1934-1967)

https://thebrownees.net/seventy-queer-films-of-the-new-hollywood-1967-1981

Popular Articles

Jesse Plemons Extraordinary Weight Loss: Is it Ozempic?

Jesse Plemons Extraordinary Weight Loss: Is it Ozempic?

Jesse Plemons is almost unrecognizable. The man sharing the screen with Emma Stone in Bugonia bears little resemblance to the one who stood opposite Elizabeth Olsen in Love and Death just a couple of years ago. The transformation is so dramatic that the reflexive assumption is obvious: Ozempic — or one of its many GLP‑1 cousins — must be involved.

Subscribe for the latest reviews right in your inbox!