Taxi zum Klo (1981) Film Review A

SORRY, TOM ROBINSON. BOTH “BITTER TEARS’ AND “TAXI ZUM KLO” ARE IN COLOR!

Written, directed by, and starring Frank Ripploh, Taxi zum Klo (“Taxi to the Toilet”) is a groundbreaking semi-autobiographical German film that candidly explores the dual life of a gay man in West Berlin at the dawn of the 1980s.

Similar in theme and storyline to Ron Peck’s “Nighthawks” (see above), the protagonist Frank (played by Ripploh) is a Berlin schoolteacher by day and an openly gay man by night, navigating the tension between his professional respectability and his uninhibited personal life. Frank is a dedicated and charismatic teacher, but after hours, he cruises public toilets, bars, and sex clubs for anonymous encounters—and Ripploh, the director, films these scenes with a raw, documentary-like realism. He begins a relationship with Bernd, a more domestically inclined man who desires monogamy and stability. Frank struggles with fidelity and the constraints of a conventional relationship. Like “Nighthawks”, the film explores identity, sexual freedom, intimacy, and the psychological toll of living between two worlds. It’s both a celebration of queer desire and a critique of the emotional isolation that can accompany sexual liberation, and its sexual candor was shocking at the time.

In the city late tonight

Double feature, black and white(sic)

Bitter Tears and Taxi to the Klo

Find a bar, avoid a fight

Show your papers, be polite

Walking home with nowhere else to go

Tom Robinson “Atmospherics” from the 1984 album “War Baby”

Singer/songwriter Tom Robinson immortalized this movie in his song “Atmospherics: ListentotheRadio” co-written with Peter Gabriel) from his 1984 album “Hope and Glory.” He pairs it with Fassbinder’s “The Bitter Tears of Petra von Kant.” Presumably, for rhyming, Gabriel and Robinson say that both movies are in black and white. Sorry, guys, they are both in color.

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