Suddenly Last Summer (1959) Queer Film C+

Suddenly Last Summer
DIRECTOR Joseph L. Mankiewicz
Another Southern Gothic—this time from one of Tennessee Williams’s less‑inspired plays—Suddenly, Last Summer was adapted for the screen by Gore Vidal and Williams himself. We never meet the film’s central gay character, Sebastian Venable; he is already dead when the story begins, his body torn apart and devoured by a mob of young men on a European beach. He had been traveling with his cousin Catherine (Elizabeth Taylor), who has been mentally shattered by the experience and is now prone to reliving the details.
Katherine Hepburn plays Sebastian’s mother, Violet Venable, a regal, venomous matriarch who attempts to bribe a young psychosurgeon (Montgomery Clift) into lobotomizing Catherine to silence her. Violet’s sorest point is that, once her own beauty faded, Sebastian replaced her with Catherine—he used both women as bait to attract the boys he desired.
The film is often risible, but its few pleasures are memorable: Hepburn’s imperious, icy performance as a mother willing to destroy her niece to preserve her son’s memory, and Oliver Messel’s lush tropical production design, complete with carnivorous plants and Venus flytraps that literalize the story’s themes of consumption and predation. Clift, post‑accident, looks ill and fragile, while Taylor is saddled with one of her least effective screen moments in the climactic monologue recounting that terrible summer’s day.
Hepburn, Taylor, and Messel all received Oscar nominations. It was only the second time in Academy history that two actresses from the same film were nominated for Best Actress—the first being nine years earlier, when Bette Davis and Anne Baxter competed for All About Eve, also directed by a certain Mr. Joseph L. Mankiewicz
Cinematography: Jack Hildyard
Horizon Pictures | Columbia Pictures | Sam Spiegel

STREAMING: Amazon Prime Video, YouTube and Apple TV

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