Bodies, Bodies, Bodies (2022) Queer Film! A-

Bodies, Bodies, Bodies

Great Fun! “Bodies” is a Gen Z Slasher Brimming with Wit and Intelligence. Rachel Sennott gets the best of the “Twitter-friendly” lines, which she delivers with unbridled glee; she takes on both body dysmorphic disorder and borderline personality disorder, getting significant laughs.

What a pedigree! With an original script by “Cat Person” phenomenon Kristin Roupenian, given a rewrite by none other than Sarah DeLappe (“The Wolves”) and marking the English-language debut of noted Dutch actress/director Halina Reijn (“Boy 7”), “Bodies, Bodies, Bodies” reeks of talent in front and behind the camera. Queer friendly, the relationship between the two leads, Bee (played by Oscar nominee Maria Bakalova from “Borat 2”) and Sophie (played by Amanda Stenberg, so good in “Dear Evan Hanson” and equally superb here), is always the emotional center of the movie.

Sophie decides to visit her friends in a remote country mansion just as a massive storm is about to collapse power lines, cutting off electricity and the internet. It’s also Sophie’s choice (no pun intended) to play the game “Bodies Bodies Bodies* just as the storm hits, the lights go out, and the body count (real or imagined) begins to mount.

Bodies, Bodies, Bodies (2022)

It’s “Halloween” meets the “Old Dark House” and energized by an extraordinary group of young actors – in addition to Bakalova and Stenberg, we have Rachel Sennott (“Shiva Baby”), Myha’la Herrold (“Industry”), and Chase Sui Wonders (“Generation”) – all of whom are splendid and ground this very women-friendly movie with a surprising degree of empathy. Sennott gets the best of the “X-friendly” lines, which she delivers with unbridled glee, taking on both body dysmorphic and borderline personality disorders and getting significant laughs.

Add two very well-played male roles, one a brilliantly deranged Pete Davidson (with raccoon eye), the other a nicely mysterious Lee Pace, and then throw in a great surprise ending, and you have one of the year’s best horror movies. Not Ari Aster, but the next best thing.

*Bodies Bodies Bodies the game. Each person in the group of players (recommended number of at least seven) is given a piece of paper. If you get the piece marked X, you are the killer. When the lights go off, your mission is to find someone and “kill them” with a simple tap on the back. The unfortunate victim then “plays dead” until a survivor finds them and cries out Body! Body! The lights are turned back on, and the players must figure out the killer’s identity.

Now Streaming on Amazon Prime Video, Apple TV+, Paramount+ (YOUTUBE)

https://thebrownees.net/88-queer-films-made-under-the-hays-code-1934-1968/
https://thebrownees.net/110-queer-films-from-the-new-hollywood-1968-1980/
https://thebrownees.net/shiva-baby-2021-film-review/
https://thebrownees.net/my-101-all-time-favorite-horror-movies-rated/
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TheBrownees Ranks the 145 Greatest Horror Movies, 1920 to 2026.

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Spanning over a century of filmmaking, and tracing the gamut from slasher to psychological to supernatural, TheBrownees ranks the 135 greatest horror movies from 1920 to 2026. The top 15 are: Psycho, Midsommar, The Exorcist, The Shining, Alien, The Road, Dead Ringers, Take Shelter, Under the Skin, Carrie, Halloween, Rosemary’s Baby, The Substance, Hereditary and Don’t Look Now. Directors Tod Browning, Robert Eggers, Roman Polanski, George A. Romero and James Whale are each listed three times. Fourteen directors are represented twice – Ari Aster, John Carpenter, Wes Craven, Zach Cregger, David Cronenberg, Brian De Palma, Coralie Fargeat, Alfred Hitchcock, Tobe Hooper, Jordan Peel, Ken Russell, Steven Spielberg, Jacques Tourneur and Robert Wise. Fargeat, is one of five female directors on the list and the only one to be represented twice. The others are fellow French director Julia Ducoumau, British director Rose Glass and American filmmakers Kathryn Bigelow and Karyn Kusama. Be afraid! Be very afraid!

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