Going Places (Les Valseuses) (1974) Queer Film (A)
The second scene is where the boys are horsing around and, wouldn’t you know it, next thing they are pounding one another. Very sexy.
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Chinatown (1974) Polanski’s Noir Masterpiece A+
Polanski captured the FEEL of LA better than anyone before or sense. Jack Nicholson gives his greatest performance as private dick J. J. ” Jake” Gittes.
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Once is Not Enough (1975) Queer Film C+
Once is Not Enough benefits from strong performances by Smith, in her first appearance on screen in sixteen years and by Brenda Vaccaro as a high-powered magazine editor – Vaccaro received an Oscar nomination for her performance.
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The Rocky Horror Picture Show (1975) Queer Film (C) High Camp at a Midnight Screening.
It is, of course, a GROUP EXPERIENCE with those inspired zingers going back to the screen, composed by a generation of audience members over the years.
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The Eiger Sanction (1975) Cinema’s First Queer Canine (F)
When we first meet FAGGOT, he is pleasuring himself on Eastwood’s shoe. Who was the dog who played him? Was it nature or nurture?
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Barry Lyndon (1975) Queer Film (A)
In “Barry Lyndon” there is a moment where Ryan O’Neal finds two soldiers naked and holding hands in a pond as they confess their love for one another.
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In Celebration (1975) Queer Film C+
“In Celebration” is another filmed stage play that makes no attempts to hide its origin. However, the performers are so engaging that you stay with them. All of the actors have their moments, with Alan Bates making the most significant impression.
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Farewell My Lovely (1975) Queer Film A-
One of those rare cases where the remake is marginally better than the original, Farewell My Lovely not only keeps the original title of the Raymond Chandler novel, it also more faithful to its spirit.
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Dog Day Afternoon (1975) Queer Film. Lumet’s Masterpiece. A+
Pacino is magnificent. With Michael Corleone in The Godfather movies, “Dog Day Afternoon” is his defining role.
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Grey Gardens (1975) Queer TV. Documentary Feature A+
After its release, the film’s high campness – a tragic story set in the faded milieu of New York high society – developed a significant gay following.
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The Naked Civil Servant (1975) Queer Film (A)
His life becomes a kind of performance art and Hurt is phenomenal. One of the great queer performances as one of the great Queers.
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Jeanne Dielman (1975) Queer Film A+
In “Jeanne Dielman”, a feminist masterpiece, the everyday details of a caring mother contrast with her life as a prostitute.
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Picnic at Hanging Rock (1975) Queer Film A+
Weir, who showed, like Hitchcock, that horror can be visited upon us on the brightest and most beautiful of summer days.
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The Ritz (1976) Queer Film C+
Part mob comedy and part drag review, this exhausting adaptation of Terence McNally’s hit play wears out its welcome in the first thirty minutes
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Norman… Is That You? (1976) Queer Film (C)
What we do have, however, is Redd Foxx as the dad and thank God for that! The result is a laugh every other minute. Foxx does not have to work for it, he’s a natural and he basically saves the movie.
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Car Wash (1976) Queer Film C+
You come to “Car Wash” for Antonio Vargas’ Lindy, who delivers razor-sharp shade to his homophobic coworker Duane (Bill Duke). You stay because a day at the Dee-Luxe Car Wash in Los Angeles is, despite the slurs, occasionally fun.
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Next Stop Greenwich Village (1976) Queer Film A-
Lenny Baker delivers a marvelous, lived‑in performance, radiating zest for life. Tragically, Baker’s career was cut short; he died of thyroid cancer at just 37 in 1982, never appearing in another film.
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Carrie (1976) Queer Film A+
Brian De Palma’s masterpiece and one of the GREAT HORROR MOVIES with tremendous performances from Sissy Spacek and Piper Laurie. The unforgettable score is by Pino Donaggio.
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Looking for Mr. Goodbar (1977) Queer Film (F)
After two hours of heterosexual escapades—casual hookups, fleeting romances, and Theresa’s own search for identity—the story reserves its harshest judgment not for the straight milieu it has been dissecting, but for queer desire.
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Suspiria (1977) Queer Film A-
Italian director Dario Argento’s supernatural horror sensation! Jessica Harper is a ballet student whose school is a front for a coven of lesbian witches.
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THE TURNING POINT (1977) Queer Film C+
How this managed to get eleven Oscar nominations only Hollywood knows. Browne and Baryshnikov cannot act and all of their scenes are painful to watch.
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The Goodbye Girl (1977) Queer Film (C)
“The Goodbye Girl”: Unfortunately, Elliot’s director (Paul Benedict) is a raving, mincing queen who insists that Dreyfus play the part like Bette Midler.
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California Suite (1978) Queer Film C+
Meanwhile, Richard Prior, Bill Cosby and their onscreen partners suffer through one cringeworthy slapstick sequence after another.
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Midnight Express (1978) Queer Film. Movie Fiction. C-
The movie “Midnight Express” is primarily based on fact, but the finished product is mostly a work of fiction.
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Nighthawks (1978) Queer Film (B)
Influenced by the films of Nicholas Ray, particularly Rebel Without a Cause, Peck uses a relaxed cinema verité style with innovative use of hand-held camera and superb use of close-ups.
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The Warriors (1979) Queer Film B+
Screenplay by David Schaber and Walter Hill based on the novel of the same name by Sol Yurick, which, in turn, was based on Anabasis – the journey of the Ten Thousand from Greece to Persia in 401BCE – by Greek soldier Xenophon. Directed with great style by Walter Hill. Cinematography by Andrew Laszlo.
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La Cage aux Folles (1979) Queer Film C+
“La Cage aux Folles”: What may have seemed like a scream fifty years ago now seems jaded, with just the occasional laugh. Still better than the US remake.
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Manhattan (1979) Queer Film A+
However, from a queer persecutive, the standout, among all of the gifts that Woody gives us in this movie, is Meryl Streep’s blistering low-key, no nonsense turn as Isaac’s (Allen) second ex-wife Jill. When they married she was bisexual. When they broke-up she was a confirmed lesbian.
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All That Jazz (1979) Queer Film A+
Joe Gideon (superbly played by Roy Scheider, in an Oscar‑nominated role) is a Broadway director and choreographer, clearly modeled on Bob Fosse himself. Gideon is simultaneously staging a new Broadway musical (NY/LA) and editing a film (The Stand‑Up), mirroring Fosse’s real‑life juggling of Chicago and Lenny.
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Spartacus (1960) Queer Film (B)
The Kirk Douglas/Stanley Kubrick epic has not aged well but the supporting cast,, particularly Laurence Olivier and Peter Ustinov, make it worth seeing.
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