Suddenly Last Summer (1959) Queer Film C+
The movie is risible, its few pleasures come from Hepburn’s regal (but very nasty) mother who will do anything to protect her son’s memory.
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Category: Streaming
Some Like it Hot (1959) Queer Film A+
“Some Like It Hot” was only the second mainstream Hollywood movie not to be submitted to the Hays Office. Worth seeing just for Lemmon’s performance alone.
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Pillow Talk (1959) Queer Film (B)
Hudson’s characters has a gay alter ego named “Rex” and supporting actors Tony Randall and Nick Allen are constantly brushing off the gay ceiling.
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Ben Hur (1959) Queer Film (B)
If you believe Gore Vidal it was all because of a lover’s spat. Wyler and Boyd were in on the ruse, and Boyd played his scenes that way, but Heston was not.
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Compulsion (1959) Queer Film B-
“Compulsion.” Leopold and Loeb were lovers, and both Richard Murphy’s screenplay and Richard Fleischer’s direction lend the movie a queer subtext, evident in both dialogue and body language.
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North by Northwest (1959) Queer Film. Hitchcock. A+
Eva Marie Saint gives Grace Kelly in “Rear Window” a run for her money as Hitchcock’s most elegant leading lady and the chemistry between the two leads is more palpable than in any Hollywood picture before or since.
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Spartacus (1960) Queer Film (B)
The Kirk Douglas/Stanley Kubrick epic has not aged well but the supporting cast,, particularly Laurence Olivier and Peter Ustinov, make it worth seeing.
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Psycho (1960) Queer Film. Hitchcock. A+
Anthony Perkins’ Norman Bates made him immortal while, at the same, time, ending his career in Hollywood. A masterpiece.
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Purple Noon (1960) Queer Film B+
Although it lacks the emotional depth and the great supporting cast of Minghella’s film, this version has a unique style thanks to director Rene Clement.
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Victim (1961) Queer Film B+
They say that this film did more to sway public and political opinion on homosexuality in England than any parliamentary discussion.
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A Taste of Honey (1961) Queer Film B+
Although he was playing a teenager, gay actor Murray Melvin was almost thirty when he made “A Taste of Honey” with Rita Tushingham.
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The Children’s Hour (1961) Queer Film (C)
Not having the courage of his convictions, what started out as bravery ended in cowardice and it’s a shame.
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Lawrence of Arabia (1962) Queer Film (A)
Lawrence’s intense relationships with men, particularly Sherif Ali (Omar Sheriff), are emotionally charged. The characters’ gazes linger on each other in numerous scenes, creating a sense of tension and intimacy.
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Advice and Consent (1962) Queer Film A-
Preminger always liked to be cutting edge and he was with “Advise and Consent” a beautifully written, acted and directed movie.
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Whatever Happened Baby Jane? (1962) Queer Film A+
Both of Hollywood’s grande dames Bette Davis and Joan Crawford are in top form with Davis getting the showier role as faded child star Baby Jane Hudson.
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That Touch of Mink (1962) Queer Film C+
In between the Rock Hudson movies “Lover Come Back” (1961) and “Send Me no Flowers” (1964), Doris Day paired up with Cary Grant.
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Billy Budd (1962) Queer Film (C)
Many, including gay composer Benjamin Britton and his famous opera, maintain that there is an undercurrent of homoeroticism between the three leads.
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David and Lisa (1962) Eleanor Perry (C)
In fact, many of Theodore Isaac Rubin’s beliefs have now fallen out of favor. Despite the film’s sensitive moments, it often seems dangerously simplistic and naive.
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Walk on the Wild Side (1962) Queer Film. C-
Stanwyck and Capucine have a few good scenes together. However, Harvey is wan, and Fonda does not have enough to do. The movie is no fun.
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The L-Shaped Room (1963) Queer Film B+
Writer/director Bryan Forbes lovely and faithful adaptation of the Lynne Reid Banks novel boasts Leslie Caron’s greatest performance.
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The Haunting (1963) Queer Film A-
As a chic Greenwich village lesbian named Theo, whose couture is designed by Mary Quant, Claire Bloom is a knockout in Robert Wise’s 1963 movie “The Haunting”.
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The Servant (1963) Queer Film (A)
A savage indictment of the waning British class system, it’s one of the most chilling films ever made. Winner of Best Screenplay of 1964 from the NYFCC.
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The Leather Boys (1964) Queer Film (B)
Canadian journeyman Sidney J. Furie, does a striking job with this “gay” love story set within the milieu of London’s biker subculture.
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The Best Man (1964) Gore Vidal A+
“The Best Man” boasts three outstanding performances: Henry Fonda, Cliff Robertson and pre-code star Lee Tracy who returns to the screen.
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My Fair Lady (1964) Queer Film. Cukor’s Late-Career Triumph A+
The couple are phonetics professor Henry Higgins and Colonel Hugh Pickering. The two actors are perfect together, practically finishing one another’s sentences
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Seven Days in May (1964) Rod Sterling A+
A peak entry in the American political thriller genre, the film boasts four of the greatest performances of the sixties.
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Inside Daisy Clover (1965) Queer Film C+
Robert Redford insisted that his character in the novel be changed from homosexual to bisexual. It was a brave role to take at the time, but it got him noticed.
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King Rat (1965) Queer Film (A)
An actor of unusual sensitivity, James Fox is an easy actor to queer-code, and he is mentioned twice in this essay and once in the next. No matter, his scenes with Segal have a beauty about them, a longing that every gay man can recognize.
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The Loved One (1965) Queer Film A-
Great fun was had by all adapting Evelyn Waugh’s 1948 short satirical novel about the funeral business in Los Angeles.
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Darling (1965) Queer Film B-
“Darling” stars the impossibly beautiful Julie Christie, even if far more people saw in her as Laura in David Lean’s “Doctor Zhivago”.
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