Last Call (2023): A Serial Killer Preys on Gay Men in New York A+
Caronna gives these five men back their dignity, something they were stripped of when they became victims of a horrific crime.
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Category: HBOMAX
BS High (2023). Greed and Exploitation in American High School Football B+
American high school/college football is one big exploitation racket that massively exploits the young men on whose backs the whole system rests.
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Donyale Luna: Supermodel (2023) B+
Known “the first Black supermodel”, she was the first African-American model to grace the cover of Vogue – shot by photographer David Bailey – in March 1966.
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The Staircase (2022) Queer TV A+
The result: compulsive viewing for seven out of the eight episodes. Colin Firth is spellbinding. Toni Collette is equally superb.
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Enlightened (2011) – TV Series Review A+
Laura Dern is a card-carrying liberal from Riverside. who wants to do good in this world but gets sidetracked by some deep personality flaws
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Love and Death (2023) A-
This is the superior version thanks to a spectacularly good Elizabeth Olsen as Montgomery, a housewife who has everything on the Baby Boom checklist.
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Shiva Baby (2021) Queer Film (B).
Finally, a toast, amid all this great food, to four extraordinarily talented actresses: Sennott, Draper, Gordon, and Argon.
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The Bitter Tears of Petra von Kant (1972) Queer Film A+
A landmark in both New Queer Cinema and the New German Cinema, Fassbinder’s examination of the dynamics of a lesbian love triangle was shot in der wunderkind’s apartment.
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Jeanne Dielman (1975) Queer Film A+
In “Jeanne Dielman”, a feminist masterpiece, the everyday details of a caring mother contrast with her life as a prostitute.
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Picnic at Hanging Rock (1975) Queer Film A+
Weir, who showed, like Hitchcock, that horror can be visited upon us on the brightest and most beautiful of summer days.
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Z (1969) Queer Film (F)
Few seem to have noticed that “Z” is a virulently homophobic film in which the main villain is a homosexual and convicted pedophile.
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I Vitelloni (1953) Queer Film A-
The film blends neorealist observation with a nostalgic tone, supported by a lush Nino Rota score. Like Fellini’s later autobiographical work, it captures a vivid sense of time and place.
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