The Producers (1967) Queer Film B+
Not nearly as shocking today as it was in 1967, The Producers remains wildly entertaining. A huge part of its staying power comes from Roger De Bris and his exquisitely mannered assistant Carmen Ghia
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Category: Apple TV+
Reflections in a Golden Eye (1967) Queer Film A+
Marlon Brando does something unique with his closeted gay character, it’s one of his truly great performances right up there with his Stanley Kowalski. Elizabeth Taylor gives one of her best, most relaxed performances in years. She was just beginning to pile on the weight at this time in her life and she uses her body fearlessly, like a weapon.
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The Swimmer (1968) Eleanor Perry B
With a near-great performance by Burt Lancaster as the title character who “swims his way home” through his “river” of backyard swimming pools…
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No Way to Treat a Lady (1968) Queer Film B-
“Dorian”, Gill’s gay hairdresser persona, says that being a homo does not make you a terrible person, as he fondles the neck of Miss Belle Poppie
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The Detective (1968) Queer Film D+
“The Detective” boasts a dreadful script by Abby (“Judgement at Nuremberg”) Mann and the mediocre direction by Gordon Douglas puts the kibosh on everything.
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The Boston Strangler (1968) Queer Film C-
Although not part of Queer Cinema per se, “The Boston Strangler” is filled with “queers” and “faggots” as the police comb the gay demimonde.
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Rachel, Rachel (1968) Queer Film B-
Highly regarded at the time of its release (NYFCC awards going to Newman as Best Director and Woodward as Best Actress), it seems a bit underwhelming today.
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2001: A Space Odyssey (1968) Queer Film (A)
In Stanley Kubrick’s “2001: A Space Odyssey”, HAL 9000 is the psychotic gay computer abord Discovery One. HAL is in love with Dave and quickly dispatches with copilot Frank.
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The Sergeant (1968) Queer Film C+
The subject matter, its release during the Christmas season, and a couple of scathing reviews by the major critics sealed its fate.
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The Lion in Winter (1968) Queer Film B+
The dialogue and the performers carry it, although it is basically a filmed play with little directorial input.
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Z (1969) Queer Film (F)
Few seem to have noticed that “Z” is a virulently homophobic film in which the main villain is a homosexual and convicted pedophile.
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Midnight Cowboy (1969) Queer Film (A)
John Schlesinger’s American debut is only X-rated movie to win Best Picture. It boasts two great performances courtesy of Jon Voight and Dustin Hoffmann.
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Goodbye Columbus (1969) Queer Film B-
The Queer element in the film comes from Brenda’s older brother Ron. Ron has the hots for Neil (Richard Benjamin) who he keeps inviting back to his room.
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The Sterile Cuckoo (1969) From Pookie to Sally. B-
Liza Minnelli’s Oscar-nominated turn as quirky, oddball and needy “Pookie” Adams is a preview of her Oscar-winning performance in “Cabaret.”
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All About Eve (1950) Queer Film A+
Bette Davis in her greatest role with some of the best lines ever written. Both Addison and Eve are gay and he blackmails her.
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Caged (1950) Queer Film C-
“Hype the New Fish”. Innocent Eleanor Parker spends time in a women’s prison. With Hope Emerson and Agnes Moorehead.
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Young Man with a Horn (1950) Queer Film (B)
Lauren Bacall is Kirk Douglas’ young man with a horn’s society wife who is also a closeted lesbian. Bacall is very good in a risque role.
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In a Lonely Place (1950) Queer Film A-
Bogart is superb playing a queer-coded male lead. He’s emotionally volatile, unable to be in a stable heterosexual relationship, deeply suspicious of intimacy and terrified of being “found out”.
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A Streetcar Named Desire (1951) Queer Film A+
The best play to film adaptation of all-time, with two of the greatest performances: Vivien Leigh as Blanche DuBois and Marlon Brando as Stanley Kowalski.
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Strangers on a Train (1951) Queer Film. Hitchcock. A-
Hitchcock reverses himself here, having gay actor Farley Granger play the straight character and straight actor Robert Walker play the gay character.
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Gentlemen Prefer Blondes (1953) Queer Film B+
It’s Howard Hawks again, this time adapting the Jule Stein/Leo Robin Broadway smash “Gentlemen Prefer Blondes”. With Jane Russell and Marilyn Monroe.
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Calamity Jane (1953) Queer Film (B)
The Best Queer Song in the History of Cinema: Day’s spectacular delivery of the Sammy Fain-Paul Francis Webster masterpiece “Secret Love.”
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I Vitelloni (1953) Queer Film A-
The film blends neorealist observation with a nostalgic tone, supported by a lush Nino Rota score. Like Fellini’s later autobiographical work, it captures a vivid sense of time and place.
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Rear Window (1954) Hitchcock A+
Stewart, Kelly, and Ritter are all magnificent. Kelly, looking radiant, gets to deliver one of the Big Screen’s all-time sexy lines.
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Johnny Guitar (1954) Queer Film B
A Western with two female leads is that rarest of cinematic jewels and, under Nicholas Ray’s direction, both Crawford and McCambridge play to the gallery.
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Rebel Without a Cause (1955) Queer Film A+
Wood, Dean and Mineo form a nuclear family under the shadow of Griffith Park Observatory in Nicholas Ray’s masterpiece “Rebel Without a Cause.
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The Big Combo (1955) Queer Film B-
“The Big Combo” features a gay couple (played by Earl Holliman and Lee Van Cleef) whose chosen profession also adds to their fascination and their sexiness.
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The Bad Seed (1956) Queer Film B+
Nancy Kelly is ON 100% of the time straddling the twin minefields of camp and drama yet managing to accomplish both simultaneously.
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Tea and Sympathy (1956) Queer Film A-
“Tea and Sympathy” has aged well. What could not be said under the Hayes code lends it beauty and delicacy, especially in Deborah’s sublime performance.
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Funny Face (1957) Queer Film A+
“Funny Face“, the 1957 musical romantic comedy directed by Stanley Donen, boasts Audrey Hepburn’s most charming screen performance.
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