Nitram (2022) Caleb Landry Jones A+
As for Judy Davis she gives what is probably her most outstanding performance, which means it’s one of the greatest performances ever captured on film.
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Category: Apple TV+
The Tale of King Crab (2022) Enchanting! Directors Alessio Rigo de Righi & Matteo Zoppis A-
The directors are extremely cine-literate. However, their references never seemed forced and I basked in their cinematic vision.
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Flee (2021) Queer Film A+
I left “Flee” with that “floating-on-air feeling” that you get after seeing something special. After seeing a masterpiece.
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Great Freedom (2021) Queer Film A-
Meise directs what must be some of the most beautiful and heartfelt scenes ever captured on film between two men in love.
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Shiva Baby (2021) Queer Film (B).
Finally, a toast, amid all this great food, to four extraordinarily talented actresses: Sennott, Draper, Gordon, and Argon.
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Quo Vadis Aida (2020) Film Review A+
Aida knows the horrific fate that awaits her husband and two sons if they are found and, for two hours, you watch as she frantically tries to get them out.
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Beanpole (2019) Queer Film A+
“Beanpole” conveys, beautifully, the ability of human beings to find moments of intimacy and even love under the most horrific of circumstances.
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Under The Skin (2014) Scarlett Johansson A+
Explore the haunting world of ‘Under the Skin’ with Scarlett Johansson as an alien preying on Glasgow’s men.
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Take Shelter (2011) A Horror Masterpiece. A+
It boasts a tremendous performance by Michael Shannon as a quiet man, raising a family, who has horrific nightmares and daytime visions of a meteorological disturbance followed by a feeling that we (the Earth) are being visited by something alien.
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The Talented Mr. Ripley (1999) Queer Film A+
“Ripley”, Minghella’s masterpiece, boasts Matt Damon’s best performance plus stunning turns by Philip Seymour Hoffman and Jude Law.
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Grace of My Heart (1996) Queer Film- Bridget does Lesley B+
Bridget Fonda does a fabulous Lesley Gore (thinly disguised) in Alison Anders’ 1996 movie “Grace of My Heart”
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Polyester (1981) Queer Film (B) High Camp at a Midnight Screening.
It’s delirious fun in classic Waters mode, with the incomparable Divine scaling Crawford‑level heights of Sirkian melodrama.
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Fame (1980) Queer Film B-
Actor Paul McCrane’s token gay character, Montgomery, stood out as an honest and moving portrayal of a shy, talented young man.
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Cruising (1980) Queer Film (F)
Gay men in New York protested the making of this movie, and they were right. It boasts not a single redeeming feature. Exploitation, anyone?
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American Gigolo (1980) Queer Film (A)
Watching American Gigolo, you knew that Courtesy of Giorgio and Nando, two gay Italian men, glamor and fashion had returned to the world, not just Hollywood but the entire world.
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Times Square (1980) Queer Film (B)
Sweet coming-of-age lesbian movie. Director Allan Moyle’s Times Square is a gritty, punk‑infused coming‑of‑age drama set in pre‑Disneyfied Manhattan, where the city’s chaos becomes a refuge for two teenage girls who don’t fit anywhere else.
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Dressed to Kill (1980) Queer Film A-
Thanks to Ralph D. Bode’s cinematography and Pino Donaggio’s haunting score, it is both a visual and an aural feast.
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Can’t Stop the Music (1980) Queer Film (F)
Viewer beware! There is no camp here. Just Boredom. Utter boredom. I will never have this time back again.
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Nijinsky (1980) Queer Film C-
“Nijinsky” asks the question: Why does a great artist go crazy? Ross and Wheeler, however, take a reductive approach and blame the woman.
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Satyricon (1970) Queer Film B-
Seeming longer than its 129-minute running time, and with no discernible plot, the movie becomes a bit of a chore. However, the images stay with you.
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Performance (1970) Queer Film B-
There will always be an argument as to who was the real auteur behind the camera.
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There Was A Crooked Man (1970) Queer Film B+
Hume Cronyn and John Randolph are our happy and well-adjusted gay couple. Yes, they fight and bicker all the time. However, they are clearly madly in love with each other.
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Little Big Man (1970) Queer Film (A)
Using humor and irony to critique prejudice, injustice and the destruction of Native American communities, “Little Big Man” is, together with “Bonnie and Clyde”, Arthur Penn’s best film. It helped redefine the Western genre, paving the way for more nuanced depictions of Native Americans.
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The Boys in the Band (1970) Queer Film (A)
“The Boys in the Band” was a cultural milestone. As the AIDS epidemic approached, the lives of the actors involved was a collective tragedy.
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The Private Life of Sherlock Holmes (1970) Queer Film A-
Excellent work by Robert Stephens (his best screen performance) and Colin Blakely (Dr. Watson). Geneviève Page gives a gorgeous melancholy performance.
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The Conformist (1970) Queer Film. Nando, Vittorio and Bernardo’s Masterpiece. A+
Using Art Deco as a backdrop to the film’s narrative, the partnership of Bertolucci, Storaro and Scarfiotti changed the look of Cinema forever.
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Death In Venice (1971) Queer Film A-
Visconti’s best idea was changing Aschenbach’s profession from a writer to a composer opening up the movie to the Mahler Adagietto .
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The Garden of the Finzi-Continis (1971) Queer Film A-
“The Garden of the Finzi Continis” is based on the semi-autobiographical novel by gay Italian writer Giorgio Bassani who is played in the film by Helmut Berger.
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Sunday Bloody Sunday (1971) Queer Film (A)
In “Sunday Bloody Sunday”, Murray Head plays a free-spirited bisexual who is having simultaneous relationships with Glenda Jackson and Peter Finch.
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The Anderson Tapes (1971) Queer Film (F)
Hamming it up and mincing all over the place, this is a cringe-worthy performance from Martin Balsam who is not referred to by his given name, just The Fag.
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