One Battle After Another (2025) Watch it on your cell phone. C+
When you take away all the violence and the mayhem, this is a two daddies fighting over one baby movie. Strip away the facade, it’s old-time Hollywood schmaltz.
Read MorePosted by Patrick Browne | Nov 25, 2025 | C+, Film Reviews, New Releases - Film, Ratings: Movies and Television, Streaming
When you take away all the violence and the mayhem, this is a two daddies fighting over one baby movie. Strip away the facade, it’s old-time Hollywood schmaltz.
Read MorePosted by Patrick Browne | Feb 10, 2026 | 70s, Amazon, Apple TV+, C+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
Once is Not Enough benefits from strong performances by Smith, in her first appearance on screen in sixteen years and by Brenda Vaccaro as a high-powered magazine editor – Vaccaro received an Oscar nomination for her performance.
Read MorePosted by Patrick Browne | Dec 6, 2025 | 70s, Amazon, Apple TV+, C+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
“In Celebration” is another filmed stage play that makes no attempts to hide its origin. However, the performers are so engaging that you stay with them. All of the actors have their moments, with Alan Bates making the most significant impression.
Read MorePosted by Patrick Browne | Nov 3, 2025 | 70s, Amazon, Apple TV+, C+, Film Reviews, Queer Film, Queer Film/TV, Streaming, YouTube
Part mob comedy and part drag review, this exhausting adaptation of Terence McNally’s hit play wears out its welcome in the first thirty minutes
Read MorePosted by Patrick Browne | Dec 3, 2025 | 70s, Amazon, Apple TV+, C+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, Uncategorized, YouTube
You come to “Car Wash” for Antonio Vargas’ Lindy, who delivers razor-sharp shade to his homophobic coworker Duane (Bill Duke). You stay because a day at the Dee-Luxe Car Wash in Los Angeles is, despite the slurs, occasionally fun.
Read MorePosted by Patrick Browne | Oct 17, 2025 | 70s, Amazon, Apple TV+, C+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
How this managed to get eleven Oscar nominations only Hollywood knows. Browne and Baryshnikov cannot act and all of their scenes are painful to watch.
Read MorePosted by Patrick Browne | Nov 4, 2025 | 70s, Amazon, Apple TV+, C+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
Meanwhile, Richard Prior, Bill Cosby and their onscreen partners suffer through one cringeworthy slapstick sequence after another.
Read MorePosted by Patrick Browne | Oct 26, 2025 | 70s, Apple TV+, C+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
“La Cage aux Folles”: What may have seemed like a scream fifty years ago now seems jaded, with just the occasional laugh. Still better than the US remake.
Read MorePosted by Patrick Browne | Sep 11, 2022 | 60s, Amazon, Apple TV+, C+, Film Reviews, Queer Film, Ratings: Movies and Television, Streaming, YouTube
In between the Rock Hudson movies “Lover Come Back” (1961) and “Send Me no Flowers” (1964), Doris Day paired up with Cary Grant.
Read MorePosted by Patrick Browne | Dec 1, 2025 | 60s, Amazon, Apple TV+, C+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
Robert Redford insisted that his character in the novel be changed from homosexual to bisexual. It was a brave role to take at the time, but it got him noticed.
Read MorePosted by Patrick Browne | Mar 16, 2023 | 60s, Amazon, Apple TV+, C+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
The subject matter, its release during the Christmas season, and a couple of scathing reviews by the major critics sealed its fate.
Read MorePosted by Patrick Browne | Feb 3, 2026 | 30s, C+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television
The movie is full of lavish production numbers, melodrama, and even a brief same-sex dance gag in which a man asks a couple if he can cut into their dance, and, while the woman says Sure, he dances away with her partner!
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