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Veteran documentary filmmaker Errol Morris’s documentary of David Cornwell, non-de-plum John le Carré, whose breakthrough novel “The Spy Who Came in From the Cold” sold upwards of 15 million copies.
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Nicholas Galitzine, as Prince Harry, gives a perfect performance. Utterly believable. He’s the ONLY reason to see this movie but he is reason enough!
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Catherine is now played by Samantha Morton who seems to have waited her whole life for this role. Every word, every gesture is savored
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The film has three very good performances. Dominic Sessa is a real discovery, Da’Vine Joy Randolph says hello Oscar and Mr. Giamatti anchors the film.
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Both actresses are marvelous with Foster giving her best performance in decades.
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Pallaoro is blessed with two actresses who are able to convey oceans of emotion with their eyes and Lysette, a real-life trans actress, is wonderful.
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Now, after ten years in the (relative) wilderness, Saavedra and Silva (and Silva’s co-screenwriter Peirano) have returned with a delicious slice of meta.
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If you can take moments of extreme gore and disfigurement – it succeeds more as a horror movie than as a piece of social satire – you could do worse.
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As Charlie, an overweight teacher, Brendan Fraser gives a very sweet and appealing performance in director Darren Aronofsky’s “The Whale”.
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Our savior is Driver, who, against all odds, manages to give another really good performance in inhospitable settings.
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Collins and Parker have a wonderful rapport based on their shared love of horses, and there might be something deeper between them.
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Although we know the eventual outcome, there is no great tragedy awaiting us at the end of the movie. In fact, it is a celebration of life.
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Directed by Jack Clayton, from an adaptation by Francis Ford Coppola, this was the third film version of F. Scott Fitzgerald’s Jazz Age masterpiece.
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The actors are in good form, with Raquel Welsh being particularly impressive in her one genuinely good film. Dyan Cannon is a thinly disguised Sue Mengers.
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Beryl Reid is marvelous as “George”. That’s not her name. It’s the name of the character she plays in a beloved long-running BBC series.
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With a near-great performance by Burt Lancaster as the title character who “swims his way home” through his “river” of backyard swimming pools…
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“My Hustler” is a hugely different film from Warhol’s previous offerings with a solid narrative and surprisingly good performances.
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“Darling” stars the impossibly beautiful Julie Christie, even if far more people saw in her as Laura in David Lean’s “Doctor Zhivago”.
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Canadian journeyman Sidney J. Furie, does a striking job with this “gay” love story set within the milieu of London’s biker subculture.
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The Kirk Douglas/Stanley Kubrick epic has not aged well but the supporting cast,, particularly Laurence Olivier and Peter Ustinov, make it worth seeing.
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If you believe Gore Vidal it was all because of a lover’s spat. Wyler and Boyd were in on the ruse, and Boyd played his scenes that way, but Heston was not.
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Hudson’s characters has a gay alter ego named “Rex” and supporting actors Tony Randall and Nick Allen are constantly brushing off the gay ceiling.
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A Western with two female leads is that rarest of cinematic jewels and, under Nicholas Ray’s direction, both Crawford and McCambridge play to the gallery.
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The Best Queer Song in the History of Cinema: Day’s spectacular delivery of the Sammy Fain-Paul Francis Webster masterpiece “Secret Love.”
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Lauren Bacall is Kirk Douglas’ young man with a horn’s society wife who is also a closeted lesbian. Bacall is very good in a risque role.
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