Are You There God? It’s Me, Margaret (2023) The Perfect Judy Bloom A-
We also discover, in a beautifully acted scene by McAdams, who steals the picture, that Barbara is estranged from her devoutly Christian parents.
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Category: A-
How to Have Sex (2023) Mia McKenna-Bruce shines in Manning Walker’s debut A-
“How to Have Sex” follows three teenage girls on vacation in Greece. Mia McKenna-Bruce delivers a heartbreaking performance as Tara. One of 2023’s best.
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You Can Live Forever (2023) Queer Film A-
Laporte is tremendous in portraying a complex character who appears to have an “escape” but really doesn’t. It’s a heartbreaking performance.
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Bodies, Bodies, Bodies (2022) Queer Film! A-
Beautifully Queer friendly, the relationship between Bee (Maria Bakalova) and Sophiie (Amanda Stenberg) is the emotional center of the movie.
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The Tale of King Crab (2022) Enchanting! Directors Alessio Rigo de Righi & Matteo Zoppis A-
The directors are extremely cine-literate. However, their references never seemed forced and I basked in their cinematic vision.
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Great Freedom (2021) Queer Film A-
Meise directs what must be some of the most beautiful and heartfelt scenes ever captured on film between two men in love.
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Dance of the Forty-One (2020) Queer Film A-
Ignacio de la Torre was the son in law of Mexico’s president for life and dictator Porfirio Díaz’s. But he was leading a double life with his lover Evaristo.
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The Bride of Frankenstein (1935) Queer Film A-
Director James Whale’s masterpiece is as close to Susan Sontag’s definition of high camp as the movies can deliver.
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Stage Door (1937) Queer Film A-
Director Gregory La Cava, fresh off My Man Godfrey (1936), directs with a light, improvisatory touch, and Hepburn and Rogers play off each other beautifully.
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Bringing Up Baby (1938) Queer Film A-
When Hepburn’s aunt asks him to explain, he replies exasperatedly, “Because I just went gay all of a sudden”
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The Women (1939) Queer Film A-
Every character in the movie, and every animal featured, was female. Great work by Crawford, Russell, Shearer and Mary Boland.
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The Wizard of Oz (1939) Queer Film A-
Judy Garland captured everyone’s heart with that voice, vulnerable yet confident. Innocent yet knowing.
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The Maltese Falcon (1941) Queer Film A-
Performances to savor. Mary Astor does a superb turn as Bridget O’Shaughnessy, a Celtic Tiger avant la lettre!
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The Man Who Came to Dinner (1942) Queer Film A-
Monty Wooley delights as the impossibly pompous Sheridan Whiteside in William Keighley’s wonderful adaptation of the Kaufman/Hart play.
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Gilda (1946) Queer Film A-
“Gilda”: Rita Hayworth’s star-making performance, directed by Charles Vidor, with cinematography by Rudolph Mate and Jack Cole’s choreography.
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Red River (1948) Queer Film A-
1948 was the year of Montgomery Clift. In addition to Hawkes “Red River” there was Fred Zinnemann’s “The Search” and William Wyler’s “The Heiress”.
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Rope (1948) Queer Film A-
The story, which is based on the Leopold and Loeb case is irresistible. Granger and Dall are perfection and Jimmy Stewart is also amazing.
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In a Lonely Place (1950) Queer Film A-
Bogart is superb, but it is Gloria Grahame who is the revelation – this is widely considered to be the finest performance of her career and she is sensational. As Laurel, she brings a weary, deeply nuanced vulnerability that perfectly balances Bogart’s aggressive volatility.
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Strangers on a Train (1951) Queer Film. Hitchcock. A-
Hitchcock reverses himself here, having gay actor Farley Granger play the straight character and straight actor Robert Walker play the gay character.
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Niagara (1953) Film Noir A-
The buildup to Monroe’s superstardom started here. The magnificent widescreen technicolor cinematography is by Joseph MacDonald.
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I Vitelloni (1953) Queer Film A-
The film blends neorealist observation with a nostalgic tone, supported by a lush Nino Rota score. Like Fellini’s later autobiographical work, it captures a vivid sense of time and place.
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Les Diaboliques (1955) Queer Film A-
By late 1956, it had become the highest-grossing French film released in the United States. It is also one of the most successful queer films of all time since, although queer coded, something is clearly going on between Christina and Nicole!
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Written on the Wind (1956) Queer Film A-
.”Written on the Wind”: The film’s central tenet is that Kyle (Robert Stack) and his ruthless sister Marylee (Dorothy Malone) lust after the same man.
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Tea and Sympathy (1956) Queer Film A-
“Tea and Sympathy” has aged well. What could not be said under the Hayes code lends it beauty and delicacy, especially in Deborah’s sublime performance.
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The Dark at the Top of the Stairs (1960) Queer Film A-
A beautiful adaptation of the William Inge play directed by Delbert Mann from a great script by Harriet Frank Jr. and Irving Ravetch..
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Advice and Consent (1962) Queer Film A-
Preminger always liked to be cutting edge and he was with “Advise and Consent” a beautifully written, acted and directed movie.
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The L-Shaped Room (1963) Queer Film B+
Writer/director Bryan Forbes lovely and faithful adaptation of the Lynne Reid Banks novel boasts Leslie Caron’s greatest performance.
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The Loved One (1965) Queer Film A-
Great fun was had by all adapting Evelyn Waugh’s 1948 short satirical novel about the funeral business in Los Angeles.
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The Pawnbroker (1965) Queer Film A-
Rod Steiger is exceptional in what is, arguably, his greatest performance. He received the first of his two Best Actor Oscar nominations for this movie but lost out to Lee Marvin in Cat Ballou. He won two years later for In the Heat of the Night (1967).
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if….. (1968) Queer Film A-
Alternating between color and black‑and‑white, the film achieves a dreamlike quality that contrasts with the horrors unfolding onscreen. Yet Anderson also threads in humor and tenderness, most notably in the sweet, understated love story between Wallace and Bobby, who share kisses and occasionally a bed.
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