Dressed to Kill (1980) Queer Film A-
Thanks to Ralph D. Bode’s cinematography and Pino Donaggio’s haunting score, it is both a visual and an aural feast.
Read More
Category: Queer Film
Can’t Stop the Music (1980) Queer Film (F)
Viewer beware! There is no camp here. Just Boredom. Utter boredom. I will never have this time back again.
Read More
Nijinsky (1980) Queer Film C-
“Nijinsky” asks the question: Why does a great artist go crazy? Ross and Wheeler, however, take a reductive approach and blame the woman.
Read More
Taxi zum Klo (1980) Queer Film A-
Groundbreaking semi-autobiographical German film that candidly explores the dual life of a gay man in West Berlin at the dawn of the 1980s.
Read More
Satyricon (1970) Queer Film B-
Seeming longer than its 129-minute running time, and with no discernible plot, the movie becomes a bit of a chore. However, the images stay with you.
Read More
Something for Everyone (1970) Queer Film C-
Unfortunately, what should have been a gay romp and a fabulous showcase for its star, gay icon Angela Lansbury, falls flat after a promising opening chapter.
Read More
Entertaining Mr Sloane (1970) Queer Film B-
Beryl Reed and Harry Andrews are both marvelous, especially at the finale when BOTH end up “married” to Mr Sloane who doth protest too much.
Read More
Performance (1970) Queer Film B-
There will always be an argument as to who was the real auteur behind the camera.
Read More
Women in Love (1970) Queer Film B-
Future gay activist Larry Kramer’s adaptation of D.H Lawrence’s 1920 novel was an enormous critical and commercial success earning four Oscar Nominations:
Read More
There Was A Crooked Man (1970) Queer Film B+
Hume Cronyn and John Randolph are our happy and well-adjusted gay couple. Yes, they fight and bicker all the time. However, they are clearly madly in love with each other.
Read More
Little Big Man (1970) Queer Film (A)
Using humor and irony to critique prejudice, injustice and the destruction of Native American communities, “Little Big Man” is, together with “Bonnie and Clyde”, Arthur Penn’s best film. It helped redefine the Western genre, paving the way for more nuanced depictions of Native Americans.
Read More
The Boys in the Band (1970) Queer Film (A)
“The Boys in the Band” was a cultural milestone. As the AIDS epidemic approached, the lives of the actors involved was a collective tragedy.
Read More
Myra Breckinridge (1970) Queer Film D+
A disastrous, adaptation of Gore Vidal’s novel, directed – if that is the right word – by Michael Sarne and starring Raquel Welch, John Huston, Mae West, and a pre‑fame Farrah Fawcett.
Read More
Diary of a Mad Housewife (1970) Queer Film. Eleanor Perry. A+
Starring a luminous Carrie Snodgress, the last movie that director Frank Perry and his screenwriter wife Eleanor made together is their best.
Read More
The Private Life of Sherlock Holmes (1970) Queer Film A-
Excellent work by Robert Stephens (his best screen performance) and Colin Blakely (Dr. Watson). Geneviève Page gives a gorgeous melancholy performance.
Read More
The Conformist (1970) Queer Film. Nando, Vittorio and Bernardo’s Masterpiece. A+
Using Art Deco as a backdrop to the film’s narrative, the partnership of Bertolucci, Storaro and Scarfiotti changed the look of Cinema forever.
Read More
Death In Venice (1971) Queer Film A-
Visconti’s best idea was changing Aschenbach’s profession from a writer to a composer opening up the movie to the Mahler Adagietto .
Read More
The Garden of the Finzi-Continis (1971) Queer Film A-
“The Garden of the Finzi Continis” is based on the semi-autobiographical novel by gay Italian writer Giorgio Bassani who is played in the film by Helmut Berger.
Read More
Sunday Bloody Sunday (1971) Queer Film (A)
In “Sunday Bloody Sunday”, Murray Head plays a free-spirited bisexual who is having simultaneous relationships with Glenda Jackson and Peter Finch.
Read More
Vanishing Point (1971) Queer Film (F)
In “Vanishing Point’s” most nauseating scene, Newman is briefly held captive by two exceptionally sleazy queers, played by Arthur Malet and Anthony James.
Read More
The Anderson Tapes (1971) Queer Film (F)
Hamming it up and mincing all over the place, this is a cringe-worthy performance from Martin Balsam who is not referred to by his given name, just The Fag.
Read More
The Music Lovers (1971) Queer Film D-
The honeymoon sequence, set to the “1812 overture,” a delirious mix of sexual frustration and nationalistic bombast, may be for Russell freaks only!
Read More
Cabaret (1972) Queer Film A+
Based on the 1966 Broadway musical “Cabaret” by Kander and Ebb which was adapted from Christopher Isherwood’s The Berlin Stories” (1945).
Read More
Deliverence (1972) Queer Film A+
Beatty’s work is astonishingly brave for a debut role. He plays the aftermath—shame, anger, and the need to reassert dignity—with a precision that keeps the film from slipping into caricature
Read More
Pink Flamingos (1972) Queer Film. (C) High Camp at a Midnight Screening.
A sick-and-twisted black comedy and the first part of Water’s “Trash Trilogy”, which also includes “Female Trouble” and “Desperate Living.”
Read More
Everything You Always Wanted to Know.. What Happens During Ejaculation A-
Woody is one of the competing sperm determined to penetrate that egg. Our boys have been in training for weeks. But wait! What if it’s homosexual encounter? There’s also a Black sperm! How did he get in the mix?
Read More
The Bitter Tears of Petra von Kant (1972) Queer Film A+
A landmark in both New Queer Cinema and the New German Cinema, Fassbinder’s examination of the dynamics of a lesbian love triangle was shot in der wunderkind’s apartment.
Read More
Pete ‘n’ Tillie (1972) Queer Film B-
And then there Tillie’s other best friend Jimmy, the film’s token gay guy, played by René Auberjonois, who had one of the most memorable names in cinema.
Read More
Play It As It Lays (1972) Queer Film C-
Unfortunately, despite a good performance by Weld, the film only comes alive when she is driving endlessly around LA’s spectacular freeways.
Read More
Summer Wishes, Winter Dreams (1973) Queer Film B-
The character Rita Walden, beautifully portrayed by Joanne Woodward, in what might be her finest performance, faces a midlife crisis.
Read More