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Eva Marie Saint gives Grace Kelly in “Rear Window” a run for her money as Hitchcock’s most elegant leading lady and the chemistry between the two leads is more palpable than in any Hollywood picture before or since.
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Anchored by an incredible performance by James Stewart as Scotty Ferguson a private detective and ex-cop who suffers from vertigo (fear of heights) after a coworker fell to his death, and Kim Novak is spectacular in the dual role of Judy/Madeleine.
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“Funny Face“, the 1957 musical romantic comedy directed by Stanley Donen, boasts Audrey Hepburn’s most charming screen performance.
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Unlike their American counterparts, the French critics, among whom were the brightest stars of the New Wave, in particular Truffaut and Goddard, were full of praise for the film.
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Wood, Dean and Mineo form a nuclear family under the shadow of Griffith Park Observatory. Sal Mineo’s Plato is Hollywood’s first adolescent gay character.
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Stewart, Kelly, and Ritter are all magnificent. Kelly, looking radiant, gets to deliver one of the big screen’s all-time sexy lines.
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The Best Queer Song in the History of Cinema: Day’s spectacular delivery of the Sammy Fain-Paul Francis Webster masterpiece “Secret Love.”
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It’s Howard Hawks again, this time adapting the Jule Stein/Leo Robin Broadway smash “Gentlemen Prefer Blondes”. With Jane Russell and Marilyn Monroe.
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The term “MacGuffin” originated by Angus MacPhail for film, adopted by Alfred Hitchcock, and later extended to a similar device in other fiction. The MacGuffin here is the Uranium in the cellar.
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“Double Indemnity” is the best of the three great film noirs of 1944, the others being “Laura” and “The Woman in the Window”. The three leads are superb as is Wilder’s direction.
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“Laura” is one of the classic film noirs. Gene Tierney is born and Clifton Webb becomes a star in his fifties. Haunting Raksin score.
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Written on the fly by the fabulous Epstein twins and Howard Koch and directed by Michael Curtiz, this is one of the most romantic of all Hollywood movies.
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When Hepburn’s aunt asks him to explain, he replies exasperatedly, “Because I just went gay all of a sudden” (leaping into the air at the word gay).
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“Dodsworth”: William Wyler’s masterpiece, the best movie ever made about the fear of growing old. It was Wyler’s first Oscar nomination.
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The Best of the Astaire-Rogers movies. Cinematography: David Abel. Production Design: Carroll Clark/Van Nest Polglase. Songs: Irving Berlin.
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As the movie proceeds, we realize this is more Saint Laurent than Almodovar. If only he trusted himself more and let the beauty come from within.
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