The Rocky Horror Picture Show (1975) Queer Film (B) High Camp at a Midnight Screening.
It is, of course, a GROUP EXPERIENCE with those inspired zingers going back to the screen, composed by a generation of audience members over the years.
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Category: Film Music | LA Music Scene
Barry Lyndon (1975) Queer Film (A)
In “Barry Lyndon” there is a moment where Ryan O’Neal finds two soldiers naked and holding hands in a pond as they confess their love for one another.
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Carrie (1976) Queer Film A+
Brian De Palma’s masterpiece and one of the GREAT HORROR MOVIES with tremendous performances from Sissy Spacek and Piper Laurie. The unforgettable score is by Pino Donaggio.
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Midnight Express (1978) Queer Film. Movie Fiction. C-
The movie “Midnight Express” is primarily based on fact, but the finished product is mostly a work of fiction.
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The Rose (1979) Queer Film B+
Bette Midler made a spectacular movie debut playing The Rose, a rock singer who is emotionally unraveling during what she insists is her final concert tour. The film is based on the life of bisexual singer Janis Joplin and is a must-see for fans of the Divine Miss M.
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All That Jazz (1979) Queer Film A+
Joe Gideon (superbly played by Roy Scheider, in an Oscar‑nominated role) is a Broadway director and choreographer, clearly modeled on Bob Fosse himself. Gideon is simultaneously staging a new Broadway musical (NY/LA) and editing a film (The Stand‑Up), mirroring Fosse’s real‑life juggling of Chicago and Lenny.
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Fame (1980) Queer Film B-
Actor Paul McCrane’s token gay character, Montgomery, stood out as an honest and moving portrayal of a shy, talented young man.
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American Gigolo (1980) Queer Film (A)
Watching American Gigolo, you knew that Courtesy of Giorgio and Nando, two gay Italian men, glamor and fashion had returned to the world, not just Hollywood but the entire world.
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Times Square (1980) Queer Film (B)
.Director Allan Moyle’s “Times Square” is a gritty, punk‑infused queer coming‑of‑age drama set in pre‑Disneyfied Manhattan, where the city’s chaos becomes a refuge for two teenage girls who don’t fit anywhere else.
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Dressed to Kill (1980) Queer Film (A)
Thanks to Ralph D. Bode’s cinematography and Pino Donaggio’s haunting score, it is both a visual and an aural feast.
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Bono: Stories of Surrender (2025) A-
The man, on stage, in Naples, without the rest of his U2 bandmates, is in a great voice and equally fine storytelling form.
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