Eleanor and Frank Perry
Eleanor and Frank Perry’s last movie together was their best, a wonderful adaptation of Sue Kaufman’s “Diary of a Mad Housewife”.
Read MorePosted by Patrick Browne | Apr 1, 2026 | Essays, Featured
Eleanor and Frank Perry’s last movie together was their best, a wonderful adaptation of Sue Kaufman’s “Diary of a Mad Housewife”.
Read MorePosted by Patrick Browne | Apr 1, 2026 | Essays, Featured, Queer Film, Queer Film/TV
“Fassbinder Revisited: A Cinematic Journey” reveals three masterworks of cinema: The Bitter Tears of Petra von Kant, Ali: Fear Eats the Soul, and Veronika Voss. And two for television: The Stationmaster’s Wife (also known as Bolweiser) and the 14-episode Berlin Alexanderplatz.
Read MorePosted by Patrick Browne | Apr 1, 2026 | Essays, Featured
They were the darlings of the art house circuit. Their work in a language other than English is some of the greatest ever captured on film. But Hollywood…
Read MorePosted by Patrick Browne | Apr 1, 2026 | Essays
Marilyn Monroe was never nominated for an Oscar. Neither was Kim Novak or Edward G. Robinson. Or Jean-Louis Trintignant.. Here are 500 actors who have never been nominated!
Read MorePosted by Patrick Browne | Apr 1, 2026 | Essays, Netflix, Streaming
Like Mrs. Danvers, Delacroix materializes rather than enters; her first appearance, looming behind Josh O’Connor’s Father Duplenticy (Johnson has a Dickensian flair for surnames), is a jolt for the ages—I shat my pants!
Read MorePosted by Patrick Browne | Apr 1, 2026 | Essays
“Oppenheimer” has more Nobel Prize-winning characters than any other movie in Hollywood history. Who are the Actors who play them (and the spy Klaus Fuchs)?
Read MorePosted by Patrick Browne | Dec 7, 2025 | Essays, Queer Film, Queer Film/TV
The Dreamlanders are a group of stock players, directed by John Waters, who have appeared in his films since their humble beginnings. Most of the original bunch live /lived in the Baltimore area.
Read MorePosted by Patrick Browne | Apr 1, 2026 | Essays, Featured
Jesse Plemons is almost unrecognizable. The man sharing the screen with Emma Stone in Bugonia bears little resemblance to the one who stood opposite Elizabeth Olsen in Love and Death just a couple of years ago. The transformation is so dramatic that the reflexive assumption is obvious: Ozempic — or one of its many GLP‑1 cousins — must be involved.
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