Chinatown (1974) Polanski’s Noir Masterpiece A+
Polanski captured the FEEL of LA better than anyone before or sense. Jack Nicholson gives his greatest performance as private dick J. J. ” Jake” Gittes.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, A+, Amazon, Apple TV+, Film Music, Film Music | LA Music Scene, Film Noir, Film Reviews, Ratings: Movies and Television, Streaming, YouTube
Polanski captured the FEEL of LA better than anyone before or sense. Jack Nicholson gives his greatest performance as private dick J. J. ” Jake” Gittes.
Read MorePosted by Patrick Browne | Feb 10, 2026 | 70s, Amazon, Apple TV+, D-, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
Unfortunately, the rest of the movie is so awful that the good work of Alexis Smith and Brenda Vaccaro barely registers. Worse, that essential camp factor, which had allowed its predecessor “Valley of the Dolls” to flourish at a thousand Gay Midnight Screenings is nowhere to be found. Eventually, your watch becomes your constant companion as you wait (and wait!) for the best moment to bolt for the exit.
Read MorePosted by Patrick Browne | Sep 10, 2022 | 70s, Amazon, Apple TV+, B, Film Music, Film Music | LA Music Scene, Film Reviews, Queer Film, Ratings: Movies and Television, Streaming, YouTube
It is, of course, a GROUP EXPERIENCE with those inspired zingers going back to the screen, composed by a generation of audience members over the years.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, A, Amazon, Apple TV+, Film Music, Film Music | LA Music Scene, Film Reviews, Queer Film, Ratings: Movies and Television, Streaming, YouTube
In “Barry Lyndon” there is a moment where Ryan O’Neal finds two soldiers naked and holding hands in a pond as they confess their love for one another.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, Amazon, Apple TV+, C+, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
“In Celebration” is another filmed stage play that makes no attempts to hide its origin. James Bolam’s queer Colin remains largely a sounding board for Alan Bates’ barbed wit and, as a Queer Film, it’s negligible.
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