The Conformist (1970) Queer Film. Nando, Vittorio and Bernardo’s Masterpiece. A+
Using Art Deco as a backdrop to the film’s narrative, the partnership of Bertolucci, Storaro and Scarfiotti changed the look of Cinema forever.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, A+, Amazon, Apple TV+, Film Reviews, Queer Film, Ratings: Movies and Television, Streaming, YouTube
Using Art Deco as a backdrop to the film’s narrative, the partnership of Bertolucci, Storaro and Scarfiotti changed the look of Cinema forever.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, C-, Film Reviews, Internet Archive, Queer Film, Queer Film/TV, Ratings: Movies and Television, YouTube
A failed adaptation of Gore Vidal’s novel, directed, by Michael Sarne, the film takes Vidal’s gender‑bending satire and, for the most part, mangles it, although the book was hardly a sacred text to begin with. With an unfortunate Mae West in a cameo as talent scout Leticia Van Allen, and a pre-fame Farah Fawcett making her movie debut. In the end, although Myra does not scandalize or destroy the patriarchy, she exposes and ridicules it, and Welch’s glamorous, tongue-in-cheek comedic performance is always fully committed to the original novel’s satire.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, Amazon, Apple TV+, F, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
Hamming it up and mincing all over the place, this is a cringe-worthy performance from Martin Balsam who is not referred to by his given name, just The Fag.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, F, Queer Film, Ratings: Movies and Television
In “Vanishing Point’s” most nauseating scene, Newman is briefly held captive by two exceptionally sleazy queers, played by Arthur Malet and Anthony James.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, Amazon, Apple TV+, Cinematographers, F, Film Music, Film Music | LA Music Scene, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
The honeymoon sequence, set to the “1812 overture,” a delirious mix of sexual frustration and nationalistic bombast, may be for Russell freaks only!
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