Brute Force (1947) Queer Film B+
“Brute Force”: Our homosexual is interested in art and music. Hume Cronyn, a consummate actor, plays him to the hilt.
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Author: Patrick Browne
Nightmare Alley (1947) Film Noir – Forget About the Remake! (A)
Working with master cinematographer Lee Garmes, director Edmund Goulding produced one of the GREAT film noirs, a genre he had never worked in before and would never work in again.
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Red River (1948) Queer Film A-
1948 was the year of Montgomery Clift. In addition to Hawkes “Red River” there was Fred Zinnemann’s “The Search” and William Wyler’s “The Heiress”.
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Rope (1948) Queer Film (A)
The story, which is based on the Leopold and Loeb case is irresistible. Granger and Dall are perfection and Jimmy Stewart is also amazing.
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The Red Shoes (1948) Queer Masterpiece Hidden in Plain Sight (A)
The Red Shoes is also one of the richest queer‑coded films of the 1940s, and a queer‑theory framing doesn’t just “fit”; it clarifies the film’s emotional architecture. Anton Walbrook is magnificent as the queer impresario, and his performance is the major reason to see this movie. Along with George Sanders’ Addison DeWitt in All About Eve Walbrook’s Lermontov is one of the perfect queer-coded villains.
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