Funny Face (1957) Queer Film A+

Funny Face
DIRECTOR Stanley Donen
Funny Face (1957), Stanley Donen’s effervescent musical romantic comedy, contains Audrey Hepburn’s most charming screen performance. Looking impossibly chic in black during the film’s first half, she plays Jo Stockton, a shy Greenwich Village bookshop clerk who is discovered by Fred Astaire’s fashion photographer Dick Avery—a Richard Avedon-inspired figure—and whisked off to Paris for Fashion Week. (All the photographs in the film were shot by Avedon himself.)
Behind the scenes, writer Leonard Gershe and producer Roger Edens were one of Hollywood’s A‑list gay couples of the 1950s and ’60s, though Gershe liked to joke that he “didn’t have enough closet space”—literally or figuratively—for the relationship. Their sensibility permeates the film’s wit, sophistication, and queer-coded glamour.
George and Ira Gershwin’s songs include “How Long Has This Been Going On?” and S Wonderful.” Audrey does all her own singing and has a lovely, natural voice—one that should have been heard far more prominently in My Fair Lady. The film also cemented her lifelong relationship with her favorite designer, Hubert de Givenchy – their first collaboration was on Billy Wilder’s Sabrina three years earlier – whose costumes helped define her screen persona.
The two major musical set pieces—both written specifically for the film by Edens (music) and Gershe (lyrics)—are unforgettable. “Think Pink” features Kay Thompson’s Maggie Prescott, the lesbian-coded doyenne of the New York fashion world, unveiling her vision for the year ahead with the immortal command: “Think pink… bury the beige!” And “Bonjour, Paris!” sends Audrey, Fred, and Kay dancing through the city in a joyous, witty celebration of their arrival—complete with Gershe’s immortal rhyme of Montmartre with Jean-Paul Sartre.
Cinematography: Ray June
Paramount

https://thebrownees.net/88-queer-films-made-under-the-hays-code-1934-1968/
https://thebrownees.net/110-queer-films-from-the-new-hollywood-1968-1980/
https://thebrownees.net/the-great-cinematographers-of-hollywoods-golden-age/
https://thebrownees.net/the-great-tunesmiths-of-hollywoods-golden-age/
https://thebrownees.net/the-great-lyricists-of-hollywoods-golden-age/
https://thebrownees.net/top-hat-1935-queer-film/
My Fair Lady (1964) Queer Film. Cukor’s Late-Career Triumph A+ – TheBrownees
The Children’s Hour (1961) Queer Film (C) – TheBrownees

Popular Articles

TheBrownees Ranks the 135 Greatest Horror Movies, 1920 to 2026.

TheBrownees Ranks the 135 Greatest Horror Movies, 1920 to 2026.

Spanning over a century of filmmaking, and tracing the gamut from slasher to psychological to supernatural, TheBrownees ranks the 135 greatest horror movies from 1920 to 2026. The top 15 are: Psycho, Midsommar, The Exorcist, The Shining, Alien, The Road, Dead Ringers, Take Shelter, Under the Skin, Carrie, Halloween, Rosemary’s Baby, The Substance, Hereditary and Don’t Look Now. Directors Tod Browning, Robert Eggers, Roman Polanski, George A. Romero and James Whale are each listed three times. Fourteen directors are represented twice – Ari Aster, John Carpenter, Wes Craven, Zach Cregger, David Cronenberg, Brian De Palma, Coralie Fargeat, Alfred Hitchcock, Tobe Hooper, Jordan Peel, Ken Russell, Steven Spielberg, Jacques Tourneur and Robert Wise. Fargeat, is one of five female directors on the list and the only one to be represented twice. The others are fellow French director Julia Ducoumau, British director Rose Glass and American filmmakers Kathryn Bigelow and Karyn Kusama. Be afraid! Be very afraid!

Subscribe for the latest reviews right in your inbox!