Satyricon (1970) Queer Film B-
Seeming longer than its 129-minute running time, and with no discernible plot, the movie becomes a bit of a chore. However, the images stay with you.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, Amazon, Apple TV+, B-, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, Uncategorized, YouTube
Seeming longer than its 129-minute running time, and with no discernible plot, the movie becomes a bit of a chore. However, the images stay with you.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, C-, Film Reviews, Queer Film, Ratings: Movies and Television, Streaming, YouTube
Unfortunately, what should have been a gay romp and a fabulous showcase for its star, gay icon Angela Lansbury, falls flat after a promising opening chapter.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, B-, BFI Classics, Film Reviews, Queer Film, Ratings: Movies and Television, Streaming
Beryl Reed and Harry Andrews are both marvelous, especially at the finale when BOTH end up “married” to Mr Sloane who doth protest too much.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, Amazon, Apple TV+, B+, Film Reviews, Queer Film, Ratings: Movies and Television, Streaming, YouTube
There will always be an argument as to who was the real auteur behind the camera. Roeg, one of the great cinematographers (The Masque of the Red Death, Petulia) who evolved into one of the great directors (Walkabout, Don’t Look Now), is the obvious candidate. Yet Donald Cammell—painter, provocateur, and Hollywood outsider—was the film’s conceptual engine.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 70s, F, Film Reviews, Internet Archive, Queer Film, Queer Film/TV, Ratings: Movies and Television
A disastrous, adaptation of Gore Vidal’s novel, directed – if that is the right word – by Michael Sarne and starring Raquel Welch, John Huston, Mae West, and a pre‑fame Farrah Fawcett.
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