Murder My Sweet (1944) Queer Film. B+
Powell is in excellent company, and he acquits himself admirably. He also gets props for being the first to play Marlowe.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 40s, B+, Film Noir, Film Reviews, Queer Film, Ratings: Movies and Television, YouTube
Powell is in excellent company, and he acquits himself admirably. He also gets props for being the first to play Marlowe.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 40s, A+, Amazon, Apple TV+, Film Noir, Film Reviews, Queer Film, Ratings: Movies and Television, YouTube
Brilliantly filmed in high Germanic style by a cadre of Hungarian, German and Viennese émigrés—Curtiz, production designer Anton Grot and composer Max Steiner, in addition to Southern California natives cinematographer Ernest Haller and art director George James Hopkins—Mildred Pierce is one of the great noirs of the 1940s.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 40s, A, Amazon, Apple TV+, Film Reviews, Queer Film, Ratings: Movies and Television, Streaming, YouTube
Albert Lewin directed his masterpiece, a superb adaptation of Oscar Wild’s “The Picture of Dorian Gray” with the beautiful Hurd Hatfield.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 40s, A, Amazon, Apple TV+, Film Noir, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
“Gilda”: Rita Hayworth’s star-making performance, directed by Charles Vidor, with cinematography by Rudolph Mate and Jack Cole’s choreography.
Read MorePosted by Patrick Browne | Apr 1, 2026 | 40s, A-, Amazon, Apple TV+, Film Noir, Film Reviews, Queer Film, Queer Film/TV, Ratings: Movies and Television, Streaming, YouTube
Stanwyck gives one of her most controlled, lethal performances, and Douglas’s debut is astonishing – he plays Walter as a man who has been dying for years, a man whose entire identity is built around Martha.
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