The Day of the Jackal (1973) Film Review A
Another example of a gay character whose sole purpose in the movie is to be killed. Still, Zinnemmann and Rodgers treat his character with a modicum of respect.
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Tag: Fred Zinnemann
Douglas Slocombe: Master Cinematographer
England’s master cinematographer of the sixties, his black and white lensing on Bryan Forbes’ “The L-Shaped Room” and Joseph Losey’s “The Servant” marks one of the high points of British cinema.
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