David Lean’s masterpiece, “Lawrence of Arabia” (1962), is rich in queer subtext through its portrayal of T.E. Lawrence’s identity and relationships.
- Peter O’Toole’s androgynous portrayal of Lawrence is exceptionally introspective, sensitive, and physically delicate—contrasting sharply with traditional masculine war heroes.
- The film emphasizes Lawrence’s alienation from the British military, Arab allies, and even himself. This outsider status is often interpreted as a metaphor for queer identity.
- Lawrence’s intense relationships with men, particularly Sherif Ali (Omar Sheriff), are emotionally charged and intimate.
- Sensual glances between Lawrence and Sherif Ali: The characters’ gazes linger on each other in numerous scenes, creating a sense of tension and intimacy. In fact, those beautiful close-ups of Omar Sheriff’s eyes played a significant role in earning him a Best Supporting Actor Oscar Nomination.
Cinematography:
Freddie Young
Horizon | Columbia Pictures
Historical and Biographical Resonance
- The real T.E. Lawrence’s sexuality has long been debated. Biographers have speculated he may have been gay or asexual, citing his lack of romantic relationships with women and his writings about pain, submission, and identity.
- Lawrence’s own memoir, Seven Pillars of Wisdom, contains passages that some scholars interpret as coded expressions of same-sex desire or masochism.
