CODA is an improvement on the French original.

CODA

Adapted from 2014 French movie “La Famille Belier by writer/director Sian Heder, CODA follows the same story arc but with more American realism than Gallic charm which works to its advantage. It’s the better film. Both movies focus on a family of four where the mom, the dad and the teenage son are deaf and the daughter Ruby (played by striking newcomer Emilia Jones) is hearing . She helps her father and brother in the family fishing business in a small seaside town in Massachusetts and plans to do it full-time after high school. Being the child of deaf parents her vocal speech patterns were strange when she started school and, as a result, she has always been a bit of an outcast. The other thing about Ruby is that she adores music and she has a wonderful voice. A voice that her parents or brother or anybody else for that matter (except for her best fiend) have never heard. When the boy who she has a crush on at school joins the school choir she impulsively follows him and, after many false starts, finally lets the world hear her roar under the guidance of the schools music teacher “Mr.V” who is so impressed that he encourages her to audition for the Berklee College of Music in Boston. The problem is that her family needs her. They have always needed her since she is their link to the hearing world. An they take advantage of her although they probably don’t realize it. And to make matters worse, Ruby’s dad has recently gotten into problems with the The Coast Guard. Although “CODA” has generally been very well received by the deaf community, it is these scenes that have received the most criticism. A professional “signer” would be required for any formal discussions between an individual and a federal agency.

That said, it is Ruby’s attachment to he dad (deaf actor Troy Kotsur, very good) that is the heart of the movie. They have a great chemistry that involves the viewer from the beginning. Marlee Matlin gives the movie her blessing by playing the mom but her role is small and one presumes that it was her marquee value in getting the film made that was essential here.

And then there is Ruby/Emilia’s gorgeous voice. Every time she sings it’s a treat and you’re willing to overlook a lot of small faults when someone this gifted, particularly someone so natural and self-effacing, has blessed you with their presence.

STILL SHOWING AT VERY SELECT MOVIE THEATRES AND STREAMING ON APPLE TV+

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