A Touch of Class (1973) Film Review C-

DIRECTOR: Melvin Frank“A Touch of Class” (1973) is a British romantic comedy about a married American man and a divorced British woman who begin a casual affair that unexpectedly turns into love, only to collapse under the weight of reality.
The year is 1973. The setting is London, and we have Glenda Jackson and George Segal in Melvin Frank’s déclassée “A Touch of Class,” another movie that nobody sees today because the bloom has faded from the rose (Jackson’s Oscar for Best Actress is on a par with Jack Lemmon’s Best Actor for “Save the Tiger” that same year – utterly undeserved and the worst of that year’s five choices – Joanne Woodward’s reaction to her being named the winner is priceless).

Jackson’s character works in the garment industry, so we are on “Fairy Alert.” And, wouldn’t you know it, one of them does descend on her office just as Segal is visiting. He’s got a swishy fairy attitude, which he unwisely unleashes on Jackson as he minces around her desk. His name is Cecil, and he is played, believe it or not, in an uncredited part by Benedict Cumberbatch’s dad, Timothy Carlton Congdon Cumberbatch, who is known professionally as Timothy Carlton. Jackson wonders why a particular document is not typed. The dialogue is as follows:

You know I only type with one finger and (pause), I’ve hurt it

Cecil

Don’t tell me how!

Jackson, dripping contempt.
Original, ahem, Oscar-nominated screenplay by Melvin Frank and Jack Rose.

STREAMING: Amazon Prime

Seventy Queer Films Made Under the Hays Code (1934-1967)

Seventy Queer Films Made Under the Hays Code (1934-1967) Table Summary

https://thebrownees.net/seventy-queer-films-of-the-new-hollywood-1967-1981

Seventy-Queer Films of the New Hollywood (1967-1981) Table Summary

Popular Articles

Eleanor and Frank Perry

Eleanor and Frank Perry

Eleanor and Frank Perry’s last movie together was their best, a wonderful adaptation of Sue Kaufman’s “Diary of a Mad Housewife”.

Subscribe for the latest reviews right in your inbox!